Lisa Oppenheim creates photographs and videos that connect historical imagery and techniques with the present. Her process often begins with online research, as a way to source images that she reinterprets using old and new technologies. Oppenheim also employs unusual materials as photographic negatives—- such as fabric, lace, slices of wood-- directly recording the objects’ specific textures to create near-abstract compositions. Through her experiments with analog darkroom and digital methods, Oppenheim gives photographic images new forms and new contexts, inviting us to question and to wonder.
Oppenheim was born in 1975 in New York City, where she currently lives and works. She received her BA from Brown University in 1998, and later and an MFA from the Milton Avery Graduate School for the Arts at Bard College in 2001. She also attended the Whitney Independent Study Program from 2002-2003 and the Rijksakademie van beeldedne kunsten in Amsterdam from 2004-2006.
In 2014, Oppenheim was the recipient the AIMIA|AGO Photography Prize from the Art Gallery of Ontario and the Shpilman International Photography Prize from the Israel Museum. Recently, she has been the subject of solo exhibitions at the FRAC Champagne-Ardenne (2015), Kunstverein in Hamburg (2014), Grazer Kunstverein (2014) and notable group exhibitions including Light, Paper, Process: Reinventing Photography, The Getty Center, Los Angeles (2015), Photo-Poetics, Deutsche Bank Kunsthalle, Berlin and Guggenheim Museum, New York (2015), AIMIA|AGO Photography Prize Exhibition, Art Gallery of Ontario, Toronto (2014), and New Photography at The Museum of Modern Art (2013).
Her work is held in the permanent collections of the Museum of Modern Art, New York, The Solomon R. Guggenheim Museum, New York, The J. Paul Getty Museum, Los Angeles, Israel Museum, Jerusalem, Cincinnati Art Museum, Ohio, and MIT List Visual Arts Center, Cambridge, Milwaukee Art Museum, among others.