Phil Collins
7 September - 19 October 2013
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Phil COLLINS

This Unfortunate Thing Between Us

2011

Two channel video installation presented in caravans, color, sound. 

60 min. per channel

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Phil COLLINS

This Unfortunate Thing Between Us

2011

Two channel video installation presented in caravans, color, sound. 

60 min. per channel

slider

Phil COLLINS

This Unfortunate Thing Between Us

2011

Two channel video installation presented in caravans, color, sound. 

60 min. per channel

slider

Phil COLLINS

This Unfortunate Thing Between Us

2011

Two channel video installation presented in caravans, color, sound. 

60 min. per channel

INTERIOR

slider

Phil COLLINS

This Unfortunate Thing Between Us

2011

Two channel video installation presented in caravans, color, sound. 

60 min. per channel

INTERIOR

slider
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Phil COLLINS

my heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught

2013

Sound installation and collaborative project with GULLIVER survival station for the homeless in Cologne. Ten 7 inch vinyl records, listening booths, turntables, amplifiers and speakers

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Phil COLLINS

my heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught

2013

Sound installation and collaborative project with GULLIVER survival station for the homeless in Cologne. Ten 7 inch vinyl records, listening booths, turntables, amplifiers and speakers

slider

Phil COLLINS

my heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught

2013

Sound installation and collaborative project with GULLIVER survival station for the homeless in Cologne. Ten 7 inch vinyl records, listening booths, turntables, amplifiers and speakers

slider

Phil COLLINS

my heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught

2013

Sound installation and collaborative project with GULLIVER survival station for the homeless in Cologne. Ten 7 inch vinyl records, listening booths, turntables, amplifiers and speakers

slider

Phil COLLINS

my heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught

2013

Sound installation and collaborative project with GULLIVER survival station for the homeless in Cologne. Ten 7 inch vinyl records, listening booths, turntables, amplifiers and speakers

slider

Phil COLLINS

my heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught

2013

Sound installation and collaborative project with GULLIVER survival station for the homeless in Cologne. Ten 7 inch vinyl records, listening booths, turntables, amplifiers and speakers

slider

Phil COLLINS

my heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught

2013

Sound installation and collaborative project with GULLIVER survival station for the homeless in Cologne. Ten 7 inch vinyl records, listening booths, turntables, amplifiers and speakers

INTERIOR

slider

Phil COLLINS

my heart's in my hand, and my hand is pierced, and my hand's in the bag, and the bag is shut, and my heart is caught

2013

Sound installation and collaborative project with GULLIVER survival station for the homeless in Cologne. Ten 7 inch vinyl records, listening booths, turntables, amplifiers and speakers

INTERIOR

slider

Phil COLLINS

the meaning of style

2011

16mm film transferred to HD video, colour, sound

duration: 4 min. 50 sec

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Phil COLLINS

the meaning of style

2011

16mm film transferred to HD video, colour, sound

duration: 4 min. 50 sec

Press Release

Tanya Bonakdar Gallery is very pleased to present an exhibition of major new work by Phil Collins. Incorporating television, film, music and photography, the artist will realize three exceptional large-scale installations for his third solo presentation at the gallery.

Since the late 1990s, Collins’ diverse practice has addressed the act of image-making itself, reflecting on the status of the individual and the collective in today’s media-dominated society. Characteristic of the artist’s approach is a close engagement with place and communities, which over the years have included disco-dancing Palestinians, fans of The Smiths across three continents, the youth of Baghdad, and teachers of Marxism-Leninism in the former German Democratic Republic. The projects are often initiated through public announcements and structured as situations predicated on high emotional stakes. Rather than static portraits, the works resulting from these encounters articulate the nuances of relations embedded in the aesthetic regimes and economies that define our everyday existence, from news and politics to entertainment and shopping. Throughout, Collins’ work upholds his commitment to myriad forms of experience across the social spectrum, and furthers his interest in the contradictory impulses of intimacy and desire within the public sphere. 

 

In the installation This Unfortunate Thing Between Us, Collins probes the overlap and disconnection between reality and representation. Based on his 2011 project TUTBU.TV, an alternative shopping channel which was performed in a Berlin theatre and broadcast live on German national television over two nights, This Unfortunate Thing Between Us offered viewers the chance to buy an experience and enact it live on stage the following evening. Exploiting the logic and presentation of popular teleshopping programs, TUTBU.TV was hosted by a cast of actors, porn workers and musicians, with pitches and live phone-ins, telephone operators managing calls from the public, and a soundtrack by the in-house band featuring Welsh musician Gruff Rhys and North Wales surf band Y Niwl. Two complete subtitled episodes of the original event are now presented in second-hand British caravans, which for Collins epitomize both the optimism and melancholy of the consumer age, their promise of mobility and freedom forestalled by the tedium and misery of a typical family holiday. Weaving together exhibitionism and voyeurism, authenticity and fiction, This Unfortunate Thing Between Us reassembles the language of reality television in a new bastardized grammar in order to describe the complex love affair between the camera and its subjects, with all its anxieties and expectations. 

Artists