UTA BARTH
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Recent Acquisitions in Focus: Mapping Space, The Getty, Los Angeles, October 23, 2018 — March 10, 2019 (group)

PHOTOGRAPHY + BOOKS Out of the Retina and Into the Brain: The Art Library of Aaron and Barbara Levine, The Art Institute of Chicago, Chicago, IL, November 14, 2018 — March 17, 2019 (group)

MARTIN BOYCE
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Boros Collection / Bunker Berlin #3, Boros Collection, Berlin, May 4, 2017 — Spring 2021 (group)

She sees the shadows, David Roberts Art Foundation, MOSTYN, Wales, UK, July 14 — November 4, 2018 (group)
 

Project
Remembered Skies, Tate Britain, London, 2018 (site-specific permanent installation)

 

SANDRA CINTO
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Library of Love, curated by Raphaela Platow, Contemporary Art Center Cincinnati, Cincinnati, October 8, 2017 (solo)

Apagamentos, Projeto Fidalga, São Paulo, Brazil, September 1 — 22, 2018 (group)

The World to Come, curated by Kerry Oliver-Smith, Harn Museum of Art, Gainesville, FL, September 18, 2018 — March 3, 2019 (traveling to Michigan State Museum of Art, East Lansing, MI, April 27 — July 28, 2019) (group)

MAM 70: MAM e MAC USP, curated by Ana Magalhães, Helouise Costa e Felipe Chaimovich, Museum of  Modern Art São Paulo, São Paulo, Brazil, September 4 — December 16, 2018 (group)

Projects
The Invisible Telescope, USF, Kate Tiedemann College of Business, St. Petersburg, FL (permanent commission)

Publication
Contemplation Room: Library of Love, Ed. Sandra Cinto. São Paulo: Atelie Fidalga (forthcoming July 2018).

PHIL COLLINS
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Ceremony, BALTIC, Newcastle, UK, June 22 — September 30, 2018 (solo)

This Is The Day, MAC Metropolitan Arts Centre, Belfast, UK, August 10 — October 21, 2018 (solo)

Constellations: Highlights from the Nation’s Collection of Modern Art, Tate Liverpool, Liverpool, UK (group) (ongoing)

On the Shoulders of Fallen Giants, 2nd Industrial Art Biennial, Labin, Croatia, July 20 — October 28, 2018 (group)

PLAY & REWIND: Summer on Screen, Katonah Museum of Art, Katonah, NY, August 12 —  October 7, 2018 (group)

Divided We Stand, Busan Biennale 2018, Busan, South Korea, September 8 — November 11, 2018 (group)

Gaze – IMMA Collection: Freud Project, Irish Museum of Modern Art, Dublin, Ireland, October 4, 2018 — May 6, 2019, (group)

Neighbours, Warsaw Under Construction Festival, Museum of Modern Art, Warsaw, Poland, October 13 — November 11, 2018 (group)

Holen und Bringen, Werkleitz Festival 2018, Halle (Saale), Germany, October 20 — November 4, 2018 (group)

Lo Schermo dell’arte Film Festival, Florence, Italy, November 14—18 , 2018 (group) 

Scripted Realities, Museo Jumex, Mexico City, Mexico, November 15, 2018 — March 31, 2019 (group)

Restless Earth, Philips Collection, Washington D. C., 2019 (group)


Project
Ceremony, Tony Wilson Place, Manchester, UK (permanent installation)

Benefit Album 
Various Artists — Bring Down The Walls (pay-what-you-wish download and vinyl pre-orders here)

MAT COLLISHAW
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Without a label, I feel free, Herzog-Anton-Ulrich-Museum, Braunschweig, Germany, May 13 — September 16, 2018 (group)

The Enchanted Garden, Newcastle Laing Gallery, Newcastle upon Tyne, UK, June 23 — October 7, 2018 (group)

MARK DION
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Plastic Entanglements: Ecology, Aesthetics, Materials, Jordan Schnitzer Museum of Art, Eugene, OR, September 22 — December 30, 2018 (traveling to Smith College Museum of Art, Northampton, MA, February 8 — July 28, 2019; Chazen Museum of Art, Madison, WI, September 13, 2019 — January 5, 2020) (group)

Indicators: Artists on Climate Change, Storm King, Cornwall, NY, May 19 — November 11, 2018 (group)

Wild Designs, Peabody Essex Museum, Salem, MA, May 26, 2018 — August 4, 2019 (group)

Everything Was Forever, Until It Was No More, curated by Katerina Gregos, Riga International Biennial of Contemporary Art, Riga, Latvia, June 2 — October 28, 2018 (group) 

The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004), Center for Curatorial Studies and Hessel Museum of Art, Bard College, Annandale-On-Hudson, NY, June 23 — December 14, 2018 (group)

The 33rd São Paulo Biennial, São Paulo, Brazil, September 7 — December 9, 2018 (group)

Endangered Species: Artists on the Front Line of Biodiversity, Whatcom Museum, Bellingham, WA, September 8, 2018 — January 6, 2019 (group)

The Magic Kingdom, curated by Avi Lubin, Beit Uri and Rami Nehoshtan Museum, Ashdot Ya'akov Meuhad, Israel, September 15 — December 29, 2018 (group)

Nature’s Nation: American Art and Environment, Princeton Art Museum, Princeton, NJ, October 13, 2018 — January 6, 2019 (group)

Wilderness, Schirn Kunsthalle Frankfurt, Frankfurt, Germany, November 1, 2018 — February 3, 2019 (group)

Project
Cabinet of Wonder, Gathering Place, Tulsa, OK, November 3, 2108 (permanent commission)

Fish Fountain for Stavoren, 11 Fountains Project, Stavoren, Netherlands (permanent commission)

NATHALIE DJURBERG & HANS BERG
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Nathalie Djurberg & Hans Berg: A Journey Through Mud and Confusion with Small Glimpses of Air, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy, October 5, 2018 — January 27, 2019 (solo)

Schirn Kunsthalle Frankfurt, Frankfurt, Germany, February 28 — May 26, 2019 (solo)

Generations Part 2: Female Artists in Dialogue, curated by Cornelia Gockel and Susanne Touw, Collection Goetz in the Haus Der Kunst, Munich, Germany, June 29, 2018 — January 27, 2019 (group) 

NORDIC IMPRESSIONS, Art from Åland, Denmark, the Faroe Islands, Finland, Greenland, Iceland, Norway, and Sweden, 1821–2018, The Phillips Collection, Washington D.C., October 13, 2018 - January 13, 2019 (group)

Ninth Season, Episode: Berlin, Art in the Twenty-First Century, PBS

OLAFUR ELIASSON
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The speed of your attention, Tanya Bonakdar Gallery, Los Angeles, CA, September 15 — December 22, 2018 (solo)



Dansk Arkitektur Center, Copenhagen, Denmark, May 7 — October 21, 2018 (group)



The Solace of Amnesia, curated by Alexis Rockman and Katherine Gass Stowe, Hall Art Foundation, Reading, VT, May 12 — November 25, 2018 (group)

No Man’s Land – Where Beauty Alone Reigns?, Reykjavik Art Museum, Reykjavik, Iceland, June 2 — September 30, 2018 (group)



Democracy anew?, Pinchuck Art Centre, Kiev, Ukraine, June 22, 2018 — January 6, 2019 (group)



MoMA at NGV: 130 Years of Modern and Contemporary Art, National Gallery of Victoria, Victoria, Australia, June 9 — October 7, 2018 (group)



Playground, Bundeskunsthalle, Bonn, Germany, May 31 — October 28, 2018 (group)



The Marvellous Cacophony, Belgrade City Museum, Beograd, Serbia, September 15 — October 28, 2018 (group)

Kinderbiennale - Dreams and Stories, Japanisches Palais, Staatliche Kunstsammlungen, Dresden, Germany, September 22, 2018 — February 24, 2019 (group)



The Wunderkammer Project, Esbjerg Kunstmuseum, Esbjerg, Denmark, October 16, 2018 — March 17, 2019 (group)



Suspension. Hanging sculpture since 1918, curated by Matthieu Porter, Palais d’Iéna, FIAC, Paris, France, October 15—29, 2018 (group)

Urban forest, Museum Centre for Modern and Contemporary Art of Sicily, Palermo, Italy, October 27, 2018 — January 20, 2019 (group)

National Gallery Singapore, Singapore, November 16, 2018 — April 14, 2019 (group) 

Stadthaus Ulm, Ulm, Germany, December 14, 2018 — March 10, 2019 (group)


Ninth Season, Episode: Berlin, Art in the Twenty-First Century, PBS


Project
Hippolyte et Aricie, Berlin State Opera, Berlin, Germany, November 25, 2018 (opera) 

MESCHAC GABA
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Museum of Contemporary African Art (selections), Works from the Collection, Tate Switch House, London, UK, ongoing (group)

40 years of passion, Fernet Branca Foundation, Saint-Louis, France, May 25 — September 30, 2018 (group) 

AFRICAN MĒTRÓPOLIS, curated by Simon Njami and Elena Motisi, MAXXI, National Museum of 21st Century Arts, Rome, Italy, June 22 — October 21, 2018 (group)

BELIEVE, Museum of Contemporary Art Toronto, Toronto, Canada, September 22, 2018 —January 6, 2019 (group)

Leaving the Echo Chamber, Making New Time, 14th Sharjah Biennial, curated by Zoe Butt, Omar Kholeif and Claire Tancons, Sharjah, UAE,  March 7 — June 10, 2019 (group)

SABINE HORNIG
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ICH BIN EIN RISS, ICH WILL DURCH WÄNDE GEHEN - Werke aus der Sammlung Peters-Messer und der Miettinen Collection, curated by Stephan Gripp, Salon Dahlmann, Berlin, Germany, September 22 — December 15, 2018 (group) 

Projects
Shadows, Sydney International Towers, Barangaroo, Sydney, 2017 (permanent installation)

CAFÉ SCHADOW, Bundestagsgebäude Schadowstraße / Dorotheenstraße, Berlin, 2019 (permanent installation)

SIOBHÁN HAPASKA
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American University Katzen Museum of Art, Washington, D.C., January 26 — March 10, 2019 (group)

TERESA HUBBARD / ALEXANDER BIRCHLER
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Teresa Hubbard / Alexander Birchler: Flora, Los Angeles County Museum of Art, Los Angeles, CA, January 16 —  April 7, 2019 (solo)

Teresa Hubbard / Alexander Birchler, Foundation Giacometti, Paris, France, April 2019 (solo)

Teresa Hubbard / Alexander Birchler, Museum Sammlung Goetz, Munich, Germany, Spring 2019 (solo)

Teresa Hubbard / Alexander Birchler, KINDL Centre for Contemporary Art, Berlin, Germany, Fall 2019 (solo)

Teresa Hubbard / Alexander Birchler, The National Museum of Art, Osaka, Japan, Fall 2019 (solo)

Hollywood and Other Myths, Tel Aviv Museum of Art, Tel Aviv, Israel, April 24 — September 24, 2018 (group)

Surrealism Switzerland / Surrealismus Schweiz: Aargauer Kunsthaus, Museo d’arte della Svizzera italiana (MASI Lugano), Lugano, Switzerland, September 1, 2018 – January 2, 2019 (group)

 

CARLA KLEIN
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De Meest Eigentijdse Schilderijen Tentoonstelling, Dordrechts Museum, Dordrecht, Netherlands, July 1 — October 7, 2018 (group)

AGNIESZKA KURANT
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old, Fake News, Weizmann Institute of Science, Tel Aviv, October 2017 — September 2018 (group)

An American City, FRONT International: Cleveland Triennial for Contemporary Art, curated by Michelle Grabner, Cleveland, OH, July 7 — September 30, 2018 (commission)


Dark Matter, Science Gallery London, UK, May 2019 (group)

Plasticity of the Planet, Ujazdowski Castle Center for Contemporary Art, Warsaw, Poland, March — September 2019 (group)

Projects
Assembly Line/ Animal Internet, SFMOMA Openspace, San Francisco, CA

MIT Center for Art Science and Technology, Boston, MA (artist residency)


Awards 
The Pollock-Krasner Foundation Grant, New York, NY

Smithsonian Artist Research Fellowship, Washington D.C.

LAURA LIMA
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Slight Agitation 4/4: Laura Lima, curated by Elvira Dyangani Ose, Fondazione Prada, Milan, Italy, June 15 — October 22, 2018 (solo)

Laura Lima: Tailor’s Shop, curated by Fernanda Pitta, Pinacoteca (Octágono), São Paulo, Brazil, July 7 — October 8, 2018 (solo)

Divided We Stand, Busan Biennale 2018, Busan, South Korea, September 8 — November 11, 2018 (group)

 

 

LIU SHIYUAN
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Art Patrons, Qiao Space, Shanghai, March 24 — Octorber 21, 2018 (group)

An American City, FRONT International: Cleveland Triennial for Contemporary Art, curated by Michelle Grabner and Jens Hoffman, Cleveland, OH, July 7 — September 30, 2018 (group)

Love Theatre: Intimate, Today Art Museum, Beijing, China, November 20, 2018 — February 28, 2019 (group)

Project
For The Photos I Did Not Take, South Into North, Copenhagen, Denmark, 2018 (commission) 

MARK MANDERS
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The collection as Time Machine, Museum Boijmans Van Beuningen, Rotterdam, February 10 — September 30, 2018 (group)

Machines à penser. Three Philosopher’s Huts, Fondazione Prada, Venice, Italy, May 22 — November 26, 2018 (group)

Death is Irrelevant, Hudson Valley Center for Contemporary Art (HVCCA), Peekskill, NY, October 14, 2018 — August 4, 2019 (group)

Als kunst je lief is - recent acquisitions, Kröller-Müller Museum, Otterlo, Netherlands, September 30, 2018 — February 3, 2019 (group)

Quel Amour!?,  Museu Berardo, Lisbon, Portugal, October 4, 2018 — February 3, 2019 (group)

Sanguine: Luc Tuymans on Baroque, Fondazione Prada, Milan, Italy, October 18, 2018 —February 25, 2019 (group)

ERNESTO NETO
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Arte Para Sentir, Caixa Cultural São Paulo, curated by Isabel Sanson Portelt, São Paulo, Brazil, August 4 — September 30, 2018 (group)

Der Duft der Bilder – Werke der colección olorVISUAL, Barcelona, Kunst und Kulturstiftung Opelvillen Rüsselsheim, Germany, September 19 — January 6, 2018 (group)

Spacemakers and roomshakers: installations from the collection, Art Gallery of New South Wales, Sydney, Australia, July 14 — October 21, 2018 (group)

Suspension. Hanging sculpture since 1918, curated by Matthieu Porter, Palais d’Iéna, FIAC, Paris, France, October 15—29, 2018 (group)

Tissage, Tressage quand la sculpture défile, Fondation Villa Datris, France, curated by  Danièle Marcovici, May 19 — November 1, 2018 (group)

The Corcoran Legacy Collection, curated by Jennifer Sakai and Klaus Ottman, University Katzen Museum of Art, Washington D.C., January 26 — March 10, 2019 (group)

Commission
Boat to the Sky, Museum of Contemporary Art Chicago, Chicago, IL (permanent commission)

RIVANE NEUENSCHWANDER
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NC-Arte Bogotá, Bogotá, Colombia, August 4 — September 22, 2018 (solo)

Rivane Neuenschwander: Quarta-Feira de Cinzas/Epilogue, Perez Art Museum Miami, Miami, FL, August 9, 2018 — ongoing (solo)

Across Boundaries, Draiflessen Foundation, Mettingen, Germany, October 10, 2018 — January 27, 2019 (group) 

Kinderbiennale - Dreams and Stories, Japanisches Palais, Staatliche Kunstsammlungen, Dresden, Germany, September 22, 2018 — February 24, 2019 (group)

LISA OPPENHEIM
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Picture Fiction: Kenneth Josephson and Contemporary Photography, curated by Michael Darling, Museum of Contemporary Art Chicago, Chicago, IL, April 28 — December 30, 2018 (group)

SUSAN PHILIPSZ
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A Single Voice, Tanya Bonakdar Gallery, New York, NY, October 25 — December 15, 2018 (solo)

The Voices, House of Austrian History commission, Neue Burg, Heldenplatz, Vienna, March 12 — November 1, 2018 (solo)

The Yellow Wallpaper, English Heritage commission, Belsay Hall Castel and Gardens, Northumberland, UK, July 21 — September 16, 2018

Machines à penser. Three Philosopher's Huts, Fondazione Prada, Venice, May 22 — November 26, 2018 (group)

Divided We Stand, Busan Biennale 2018, Busan, South Korea, September 8 — November 11, 2018 (group)

PHOTOGRAPHY + BOOKS Out of the Retina and Into the Brain: The Art Library of Aaron and Barbara Levine, The Art Institute of Chicago, Chicago, IL, November 14, 2018 — March 17, 2019 (group)

Night and Fog (Wood Wind), Museum Voorlinden, Wassenaar, The Netherlands, Fall 2018 (group)

Manif d'Art, La Biennale de Quebec, Quebec, Canada, February 15 — May 15, 2019 (group)

Ninth Season, Episode: Berlin, Art in the Twenty-First Century, PBS


ANALIA SABAN
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PUNCHED CARD, Tanya Bonakdar Gallery, New York, NY, September 6 — October 18, 2018 (solo) 

She sees the shadows, MOSTYN, Wales, UK, July 14 — November 4, 2018 (group) 

TOMAS SARACENO
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ON AIR, Palais de Tokyo, Paris, France, October 17, 2018 — January 6, 2019 (solo)

Aerocene at Karlskirche, Karlskirche Contemporary Art, Vienna, Austria, November 12, 2018 — November 12, 2021 (solo)

Tomás Saraceno: Entangled Orbits, Baltimore Museum of Art, Baltimore, MD, October 1, 2017 — January 6, 2019 (solo)

The Future Starts Here, Victoria and Albert Museum, London, UK, May 15 — November 4, 2018 (group)

Suspension. Hanging sculpture since 1918, curated by Matthieu Porter, Palais d’Iéna, FIAC, Paris, France, October 15—29, 2018 (group)

THOMAS SCHEIBITZ
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Plateau und Halbfigur, KINDL – Centre for Contemporary Art, KESSELHAUS (Boiler House), Berlin, Germany, September 9, 2018 — May 12, 2019 (solo)

ICH BIN EIN RISS, ICH WILL DURCH WÄNDE GEHEN - Werke aus der Sammlung Peters-Messer und der Miettinen Collection, curated by Stephan Gripp, Salon Dahlmann, Berlin, Germany, September 22 — December 15, 2018 (group) 

 

SLAVS AND TATARS
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Made in Dschermany, Lipsiusbau im Albertinum, Dresden, Germany, June 1 — October 14, 2018 (solo)

'The State We Are In’, The collection of Museum of Modern Art in Warsaw, curated by Joanna Mytkowska, Sebastian Cichocki and Waldemar Tatarczuk, Labyrinth Gallery, Lublin, Poland, September 19 — November 11, 2018 (group)

Cycle 2018, Gerðarsafn / Kopavogur Art Museum, Kopavogur, Iceland, October 25, 2018 — January 6, 2019 (group) 

Lecture-Performance
Book launch of Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology, The Museum of Modern Art, New York, NY, September 26, 2018 

Red-Black Thread, Walker Art Center, Minneapolis, MI, October 11, 2018 

I Utter Other, Goethe Institut, Brussels, Belgium, October 23, 2018

Transliterative Tease, Kunsthalle Bremen, Bremen, Germany, November 14, 2018

Award
Best 50 Books | 50 Covers of 2018, AIGA Design Archive Award, 2018

HANNAH STARKEY
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Publication 
Mack books publication Hannah Starkey 1997-2017, forthcoming 2018 

Project
Hannah Starkey: This is an important moment for women, Tate Shots 



 

HAIM STEINBACH
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every single day, Museum Kurhaus Kleve, Kleve, Germany, September 22, 2018 — January 27, 2019 (solo)

Museion Bolzano, Bolzano, Italy, May — Fall 2019 (solo)

The Sonnabend Collection: Half a Century of European and American Art. Part II, Serralves Museum of Contemporary Art, Porto, Portugal, May 11 — September 23, 2018 (group)

SARAH SZE
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Liminal Encounters, Asia Society Hong Kong Center, Hong Kong, November 6, 2018 — January 6, 2019 (group)
 

Permanent Installations
New York Metropolitan Transportation Authority’s 2nd avenue subway line, 96th street station, New York, NY

Congress Square, Portland, ME (upcoming)

Western Washington University, Bellingham, WA (upcoming)

Moscone Center, San Francisco, CA (upcoming)

Publications
Sarah Sze: Timekeeper. Ed. Janna Lund. Text by Erika Balsom, Janna Lund and Sarah Sze. Copenhagen: Copenhagen Contemporary, 2017.

Sarah Sze: Timekeeper. Text by Hal Foster, Hito Steyerl, Katy Siegel, Renata Salecl and Christopher Bedford. New York: Gregory R. Miller & Co (forthcoming 2018).

Sarah Sze. Exhibition catalogue. Essays by Zadie Smith, Okwui Enwenzor; conversation with Julie Meretu. Munich: Haus der Kunst

GILLIAN WEARING
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Life: Gillian Wearing, Cincinnati Art Museum, Cincinnati, OH, October 5, 2018 — December 30, 2018 (solo)

Your Views, Dryden Theatre, George Eastman Museum, Rochester, NY, July 3 — October 28, 2018 (solo)

Selves and Others, SFMOMA, San Francisco, CA, March 24 — September 23, 2018 (group)

Exchanges, Whitworth Art Gallery, Manchester, UK, March 24, 2018 — April 2019 (group)

Catastrophe and the power of art, Mori Art Museum, Tokyo, Japan, June 10, 2018 — January 2, 2019 (group)

Re-enactment, Firstsite, Colchester, UK, June 2018 (group) 

The Artist Is Present, YUZ Museum, Shanghai, China, October 10 — December 16, 2018 (group)

Smart to the Core: Embodying the Self, Smart Museum of Art, The University of Chicago, Chicago, IL, January 29 — April 28, 2019 (group)

Project
Statue of Millicent Fawcett, Parliament Square, London (public commission)

Award
Schiele Prize, Cincinnati Art Museum, Cincinnati, OH

NICOLE WERMERS
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Athens Biennale, Athens, Greece, October 26 — December 9, 2018 (group) 


Project
Earring for Cambridge, Cambridge Judge Business School, University of Cambridge, Cambridge, UK (permanent public sculpture commission)

Manners, Tate Britain, London, until 2018 (special commission)

Publication
Nicole Wermers: Women Between Buildings. Ed. Gregorio Magnani. Geneva: Motto Books