Uta Barth, Snite Museum of Art, University of Norte Dame, South Bend, IN, 2017 (solo) 


Spotlight: 'Do Words Have Voices,' Tate Britain, London, UK, November 28, 2017 (solo presentation)

Whitworth Art Gallery, Manchester University, Whitworth, WA, Spring 2018 (solo)

Boros Collection / Bunker Berlin #3, Boros Collection, Berlin, Germany, May 4, 2017 — Spring 2021 (group)

EUROVISIONS: Contemporary art from the Goldberg Collection, National Art School, Sydney, Australia, 2017. Touring to Heidie Museum, Melbourne and Canberra Regional Museum, 2018 (group)

All the Gravity, All the Air, Swiss Re, Zurich, Switzerland, upcoming 2017 (group commission)

Beyond the Sea, Against the Sun, TELUS Garden, Vancouver, Canada, Summer 2017 (public art project)


Meditation Room, curated by Raphaela Platow, Contemporary Art Center Cincinnati, Cincinnati, OH, October 2017 (solo)

Lobby Entrance Project, curated by Steven Matjico, Contemporary Art Center Cincinnati, Cincinnati, OH, Fall 2017 (solo)

The World to Come, curated by Kerry Oliver-Smith, Harn Museum of Art, University of Florida, Gainseville, FL, September 18, 2018 — January 6, 2019 (group)

Chance and Necessity, published by Projeto Fidalga, with contribution by Yuki Kondo, Laura R. Colkitt and Miguel Chaia


my heart’s in my hand, and my hand is pierced, my hand’s in the bag, and the bag is shut, and my heart is caught, Museum of Contemporary Art, Cleveland, OH, October 7, 2017 — January 28, 2018 (solo) 

Constellations: Highlights from the Nation’s Collection of Modern Art, Tate Liverpool, Liverpool, UK, November 25, 2016 — July 2019 (group)


The New Parthenon, Stevenson Gallery, Cape Town, South Africa, July 20 — August 26, 2017 (group)


Now, today, tomorrow and always, Towner Art Gallery, Eastbourne, UK, July 22 — October 8, 2017 (group)


The Image of War, Bonniers Konsthall, Stockholm, Sweden, September 20, 2017 — January 14, 2018 (group)


The Return of Memory, HOME, Manchester, UK, September 30 — November 28, 2017 (group)


Mat Collishaw, The Pushkin State Museum of Fine Arts, Moscow, Russia, November 15, 2017 (solo)

Luther and the Avant Garde, Stiftung für Kunst und Kultur e.V., Wittenberg, Germany, May 19 — September 17, 2017 (group)


Jean-François Millet Retrospective, The Palais des Beaux-Arts, Lille, France, October 14, 2017 — January 22, 2018 (group)

Enjoy, Chiostro del Bramante, Rome, Italy, September 23, 2017 — February, 2018 (group) 


Mark Dion: The Wondrous Museum of Nature, Kunstmuseum St. Gallen, Switzerland, December 16, 2016 — December 2017 (solo)

Mark Dion, Institute of Contemporary Art Boston, Boston, MA, October 4, 2017 — January 7, 2018 (solo)

The Garden—End of Times, Beginning of Times, ARoS Aarhus Kunstmuseum, Aarhus, Denmark, April 8 — September 10, 2017 (group)

a tree is not a forest, Anderson Ranch Arts Center, Snowmass Village, CO, August 15 — September 15, 2017 (group) 

A Good Neighbor: the 15th Istanbul Biennial, Istanbul, Turkey, September 16 — November 12, 2017 (group)

Prospect 4. The Lotus in Spite of the Swamp, Prospect New Orleans, New Orleans, LA, November 18, 2017 — February 25, 2018 (group) 

The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (site-specific commission)

The Conservator’s Cupboard, Bard Graduate Center, New York, NY

Virginia Curiosity Shop: a Mark Dion Project for UVA, The University of Virginia, Charlottesville, VA 


Maison des ombres multiples (Multiple shadow house), Musée d’art contemporain, Montréal, Canada, June 21 — October 8, 2017 (solo)

The Colours of De Stijl, Kunsthal KAdE, Amersfoort, The Netherlands, May 6 — September 3, 2017 (group)

Olafur Eliasson: Green light - An artistic workshop, Viva Arte Viva, 57th International Art Exhibition of La Biennale di Venezia, Venice, Italy, May 13 — November 26, 2017 (group) 

SUR/FACE. Spiegel, Museum Angewandte Kunst, Frankfurt, Germany, June 24 — October 1, 2017 (group)

Olafur Eliasson: Green light – An artistic workshop, Yokohama Triennale 2017, Yokohama, Japan, August 4 — November 5, 2017 (group) 

Victory Over the Sun: The Poetics and Politics of Eclipse, KMAC Museum, Louisville, Kentucky, August 19 — December 3, 2017 (group)


The Restless Earth, curated by Massimiliano Gioni, Triennale di Milano, Fondazione Nicola Trussardi, April 28 — August 20, 2017 (group)

Their Own Harlems, The Studio Museum Harlem, New York, NY, July 20, 2017 — January 7, 2018 (group)


Value, Staatlichen Kunsthalle Baden-Baden, Germany, and Kunsthaus Zurich, Switzerland, Summer 2017 (group)

Museum of Contemporary African Art (selections). Works from the Collection, Tate Switch House, London, ongoing (group)



Permanent outdoor sculpture, Château la Coste, Le Puy Ste Réparade, France, Summer 2017


Giant, Blanton Museum of Art, Austin, TX, July 2 — October 15, 2017 (solo)

Women of Venice, Teresa Hubbard / Alexander Birchler and Carol Bove, Pavilion of Switzerland, 57th Venice Biennial, curated by Phllipp Kaiser, Venice, Italy, May 13 — November 26, 2017 (group)



International Grant Recipients
IASPIS, Swedish Arts Grants Committee's International Programme for Visual and Applied Artists, Stockholm, Sweden


2017 recipients of the highest honor, the degree of Doctor of Fine Arts (Honoris Causa), Nova Scotia College of Art and Design University, Halifax, Canada



Public Lecture: Villa Bleuler, Swiss Institute for Art and Research and Kunstbulletin, Zurich, Switzerland, August 22, 2017, 6:00 — 7:30pm


Collective Intelligence, SCAD, Savannah College of Art and Design, Savannah, GA, October 12, 2017 (solo)

States of Control, HIAP – Helsinki International Artist Programme, Helsinki, Finland, August 17, 2017 — October 1, 2017 (group)

Weizmann Institute of Science, Tel Aviv, Israel, October 2017 — April 2018 (group)

Art and Space, curated by Manuel Cirauqui, Guggenheim Bilbao, Bilbao, Spain, December 5, 2017 — April 8, 2018 (group)


The Policeman's Beard is Half Constructed, Bonner Kunstverein, Bonn, Germany, September 22 — November 19, 2017 (group)

An American City, Front, Cleveland, OH, July 7 — September 30, 2018 (group) 


MIT Center for Art Science and Technology, Massachusetts Institute of Technology, Boston, MA, January 2017


Agnieszka Kurant, "Harnessing the unpredictable power of emergence," Cabinet Magazine, issue 61


Museum of Art in Lodz, Lodz, Poland, Fall 2017


Illusion and Revelation, Bonnefanten Museum, Maastricht, Netherlands, December 24, 2016 — November 27, 2017 (group)



The Beauty of the Beast, Kasteel d’Ursel, Hingene, Belgium, May 25 — October 15, 2017 (group)

New Outdoor Sculpture Commission, Minneapolis Sculpture Garden, Walker Art Center, Minneapolis, MN, 2017 (public commission)



Viva Arte Viva, 57th Venice Biennale, curated by Christine Macel, Venice, Italy,  May 13 — November 26, 2017 (group)


Cosmic spring. The garden of metamorphoses, Centre Pompidou-Metz, Metz, France, March 18 — August 28, 2017 (group)

Floating Worlds, 14th Biennale de Lyoncurated by Emma Lavigne, Lyon, France, September 20, 2017 — January 17, 2018 (group)

Art and Space, curated by Manuel Cirauqui, Guggenheim Bilbao, Bilbao, Spain, December 5, 2017 — April 8, 2018 (group)


Museum of Contemporary Art Chicago, Chicago, IL, June 2017 (permanent)

GaiaMotherTree, Beyeler Foundation for the Zurich train station, Basel, Switzerland, Summer 2018


Starting Point (Coppel Collection), Sala de Arte Santander, Madrid, Spain, opens February 20, 2017 (group)


Now, Modern One, Scottish National Gallery of Modern Art, Edinburgh, UK, March 25 — September 24, 2017 (group)


How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney, MAK Center for Art and Architecture, Los Angeles, CA, September 9, 2017 — January 14, 2018 (group)

Floating Worlds, 14th Biennale de Lyoncurated by Emma Lavigne, Lyon, France, September 20, 2017 — January 17, 2018 (group)


Prospect 4. The Lotus in Spite of the Swamp, Prospect New Orleans, New Orleans, LA, November 18, 2017 — February 25, 2018 (group)

Art and Space, Guggenheim Bilbao, Spain, curated by Manuel Cirauqui, December 5, 2017 — April 8, 2018 (group)


A Durable Web, Tanya Bonakdar Gallery, New York, NY, September 7 — October 21, 2017 (solo) 

Between Film and Photography, Foto Museum, Antwerp, Belgium, June 23 — October 1, 2017 (group)


Spine, in collaboration with Karen Archey, featuring texts by Andrea Hickey, Maika Pollack, Laura Solomon and Karen Archey. Cleveland: Museum of Contemporary Art Cleveland Press, forthcoming Spring 2017. 


Susan Philipsz, Scottish National Galleries, Edinburgh, Scotland, October 2017 (solo)


Susan Philipsz, BALTIC Centre for Contemporary Art, Gateshead, UK, October 2017 (solo)


Moving is in Every Direction, Narrative Spaces, Hamburger Bahnhof, Berlin, Germany, March 17 — September 17, 2017 (group)


Soundtracks, SFMOMA, San Francisco, CA, July 15, 2017 — January 1, 2018 (group)


Seven Tears, Sculpture International Rotterdam, Rotterdam, The Netherlands


English Heritage commission, Belsay Hall Castel and Gardens, Northumberland, UK (upcoming)


Awarded commission, Birmingham Big Art Project, Birmingham, UK


Progressive Praxis, de la Cruz Collection, Miami, FL, December, 2016 — November 2017 (group)

NGV Triennial, National Gallery of Victoria, Melbourne, Australia, December 15, 2017 — April 15, 2018 (group) 

Unpacking: The Marciano Collection, Curated by Philipp Kaiser, Marciano Art Foundation, Los Angeles, CA, May 25 — December 24, 2017 (group)

The Museum of Contemporary Art (MOCA) Grand Avenue, Los Angeles, CA

California State University Long Beach, Long Beach, CA, September 26, 2017


Many suns and worlds, Vanhaerents art collection, Brussels, Belgium, April 21, 2016 — October 28, 2017 (solo)

Tomás Saraceno, Museo de Arte Moderno Buenos Aires, Argentina, April 7 — August 27, 2017 (solo)

Aerosolar Journeys, Museum Haus Konstruktiv, Zürich, Switzerland, June 1 — September 3, 2017 (solo)

Our Interplanetary Bodies, ACC - Asia Culture Center, Gwangju, South Korea, July 15, 2017 — March 25, 2018 (solo) 


Tomás Saraceno: Connectome, Baltimore Museum of Art, Baltimore, MD, September 30, 2017 — June 3, 2018 (solo)


Museum of Art, Architecture and Technology, Lisboa, Portugal, April 2018 (solo)

Museum für Bildende Künste, Leipzig, Germany, April — August, 2018 (solo) 

Tomás Saraceno, Palais de Tokyo, Paris, France, Fall 2018 (solo)

Between Spaces, Center for Art and Public Space Schloss Biesdorf, Berlin, Germany, April 28 — October 8, 2017 (group)

Socle du Monde Biennale, Herning, Denmark, April 29 — August 28, 2017 (group)

Floating Worlds, 14th Lyon Biennial, Lyon, France, September 20, 2017 — January 7, 2018 (group) 

Time as Landscape: Inquiries of Art and Science, Cornell Fine Arts Museum, Winter Park, FL, September 28 — December 31, 2017 (group)

Palace of Versailles, Versailles, France, October 2017 (group) 

In Orbit - Reopening, K21 Ständehaus, Düsseldorf, Germany, March 25, 2017 (installation)

Solar Bell Ensemble, Contemporary Arts Center, Cincinnatti, OH, June 17, 2016 (installation)

Liquid City, Brugge Triennale, Brugge, Belgium, July 1 — September 10, 2017 (Aerocene project)

Seoul Biennale, Seoul, South Korea, September 1 — 5, 2017 (Aerocene project)

Centre de Cultura Contemporània de Barcelona, Barcelona, Spain, October 2017 (Aerocene project)


SCHAULAGER 9.44, Bureau Muller, Berlin, Germany, September 14, 2016 — October 7, 2017 (solo)

Thomas Scheibitz, Kunstmuseum Bonn, Germany, February 1 — April 29, 2018 (solo)

Thomas Scheibitz, Wilhelm-Hack-Museum, Ludwigshafen, Germany, May 19 — August 12, 2018 (solo)

Abstract Painting Now!, Kunsthalle Krems, Austria, July 2 — November 5, 2017 (group)

Mental Yellow. The Sun in the Zenith, KiCo - Collection, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich, Germany, May 6 — October 18, 2017 (group)


Christian Morgenstern, Remixes Collectors Box by Thomas Scheibitz, available at Image Movement, Berlin, Germany


Mouth to Mouth, SALT Galata, Istanbul, Turkey, June 22 — August 27, 2017 (solo)

Mouth to Mouth, Contemporary Art Centre, Vilnius, Lithuania, September 8 — October 18, 2017 (solo)

Mouth to Mouth, Museum of Contemporary Art, Belgrade, Serbia, November 10 — January 15, 2018 (solo)

Sprache, Deutsches Hygiene Museum, Dresden, Germany, September 24, 2016 — August 20, 2017 (group)

Frans Masereel and Contemporary Art: Resistance in Images, mu.ZEE, Oostende, Belgium, April 1 — September 03, 2017 (group)

Birth as Criterion, The 32nd Biennial of Graphic Arts, Ljubljana, Slovenia, June 16 — October 29, 2017 (group)

The Future is Certain; It’s the Past Which is Unpredictable, Calvert 22, London, UK, June 23 — August 20, 2017 (group)

New Literacy, The 4th Ural Industrial Biennial, Ekaterinburg, Russia, September 14 — November 12, 2017 (group)

The Vague Space, Weserburg Museum, Bremen, Germany, September 23, 2017 — February 18, 2018 (group) 

Moving Image Department #8: Aslan Gaisumov and Slavs and Tatars, National Gallery in Prague, Czech Republic, October 3, 2017 — January 7, 2018 (group)

Together Apart, Center for Border Studies, Cúcuta, Colombia, October 21 — December 9, 2017 (group)

Imaginary Geography, ACC - Asia Culture Center, Gwangju, South Korea, October 26, 2017 — February 25, 2018 (group) 

Lecture - Performances
79.89.09, CAC Cinema, Vilnius, September 8, 2017

Tranny Tease, VILTIN Gallery, Budapest, October 19, 2017

Memecry, Solomon R. Guggenheim Museum, New York, November 1, 2017 

Monograph Launch
conversation with Pablo Larios, Editor of Monograph and Associate Editor of Frieze, art berlin, Station-Berlin, Berlin, Germany, September 16, 2017

conversation with Jarosław Lubiak, curator and commissioner of Mouth to Mouth, Ujazdowski Castle Center for Contemporary Art, Warsaw, Poland, September 24, 2017


Ethics of Depiction: Still Life, Landscape, Human, Oakland University Art Gallery, Auburn Hills, MI, September 9 — November 19, 2017 (group) 



Brand New: Art and Commodity in the 1980s, Hirshhorn Museum, Washington, D.C., February 14 — May 13, 2018 (group)


Sarah Sze, Copenhagen Contemporary, Copenhagen, Denmark, March 10 — September 03, 2017 (solo) 

Sarah Sze, Haus der Kunst, Munich, Germany, September 15, 2017 — August 12, 2018 (solo)

New Acquisitions, Institute of Contemporary Art Boston, Boston, MA, February 15, 2017 — February 25, 2018 (group)

The Garden - End of Times; Beginning of Times, ARoS Triennial, Aarhus, Denmark, June 3 — July 30, 2017 (group)

À Venir, SeMA, Seoul Museum of Art, Seoul, Korea, May 30 — August 15, 2017 (group)

Glasstress 2017, Palazzo Franchetti, Venice, Italy, May 11 — November 26, 2017 (group) 

Permanent Installations
New York Metropolitan Transportation Authority’s 2nd avenue subway line, 96th street station, New York, NY, January 2017

Congress Square, Portland, Maine (upcoming)

Western Washington University, Bellingham, WA (upcoming)


Museum of Lost Public Notices, George Paton Gallery Melbourne, Melbourne, Australia, Opens May 5, 2017 (group)



Gillian Wearing, The National Gallery of Denmark, København, October 12, 2017 — January 7, 2018 (TBC) (solo)

Duet with Artist—Participation as Artistic Principle, Museum Morsbroich, Leverkusen, Germany, May 21 — August 27, 2017 (group)

BEHOLD THE MAN, Part II, Kunstmuseum Kloster Unser Lieben Frauen Magdeburg, Magdeburg, Germany, May 21 — November 5, 2017 (group)

The Heart of the Tin Man, M Woods, Beijing, China, Summer 2017 (group)

Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK, July 2 — November 5, 2017 (group)

We Are Here, Museum of Cotemporary Art Chicago, Chicago, IL, August 19, 2017 — April 1, 2018 (group)

Parliament Square, London, UK, 2017 (public commision)


Croissants & Architecture, an instalment of Outoffocus, an online art commission curated by Ariella Yedgar and Rosie Cooper, March 30 — November 20, 2017 (solo)


Kunstverein Hamburg, Hamburg, Germany, February 2018 (solo)


Manners, Tate Britain, London, UK, until 2018 (special commission)