Uta Barth, Snite Museum of Art, University of Norte Dame, South Bend, IN, 2017 (solo) 


Spotlight: 'Do Words Have Voices,' Tate Britain, London, UK, November 28, 2017 (solo presentation)

Whitworth Art Gallery, Manchester University, Whitworth, WA, Spring 2018 (solo)

Boros Collection / Bunker Berlin #3, Boros Collection, Berlin, Germany, May 4, 2017 — Spring 2021 (group)

I am not my target audience, Kunsthaus Dresden - Städtische Galerie für Gegenwartskunst, Germany, May 18 — August 13, 2017 (group)

True Faith, curated by Matthew Higgs, Manchester, International Festival, Manchester Art Gallery, Manchester, England, June 30 — July 16, 2017 (group)

EUROVISIONS: Contemporary art from the Goldberg Collection, National Art School, Sydney, Australia, 2017. Touring to Heidie Museum, Melbourne and Canberra Regional Museum, 2018 (group)

All the Gravity, All the Air, Swiss Re, Zurich, Switzerland, upcoming 2017 (group commission)

Beyond the Sea, Against the Sun, TELUS Garden, Vancouver, Canada, Summer 2017 (public art project)


Meditation Room, curated by Raphaela Platow, Contemporary Art Center Cincinnati, Cincinnati, OH, October 2017 (solo)

Lobby Entrance Project, curated by Steven Matjico, Contemporary Art Center Cincinnati, Cincinnati, OH, Fall 2017 (solo)

Chance and Necessity, published by Projeto Fidalga, with contribution by Yuki Kondo, Laura R. Colkitt and Miguel Chaia


my heart’s in my hand, and my hand is pierced, my hand’s in the bag, and the bag is shut, and my heart is caught, Museum of Contemporary Art, Cleveland, OH, October 7, 2017 — January 28, 2018 (solo) 

Constellations: Highlights from the Nation’s Collection of Modern Art, Tate Liverpool, Liverpool, UK, November 25, 2016 — July 2019 (group)


La Terra Inquieta / The Restless Earth, Fondazione Nicola Trussardi and La Triennale di Milano, Milan, Italy, April 28 — August 20, 2017 (group)


Manchester International Festival, Manchester, UK, June 29 — July 16, 2017 (group)


Parlament der Pflanzen, DAAD Galerie, Berlin, Germany, June 29 — July 30, 2017 (group) 

The New Parthenon, Stevenson Gallery, Cape Town, South Africa, July 20 — August 26, 2017 (group)


Now, today, tomorrow and always, Towner Art Gallery, Eastbourne, UK, July 22 — October 8, 2017 (group)


The Image of War, Bonniers Konsthall, Stockholm, Sweden, September 20, 2017 — January 14, 2018 (group)


The Return of Memory, HOME, Manchester, UK, September 30 — November 28, 2017 (group)


Mat Collishaw, The Pushkin State Museum of Fine Arts, Moscow, Russia, November 15, 2017 (solo)

Mat Collishaw, Galerie Rudolfinium, Prague, Czech Republic, April 4 — July 8, 2018 (solo)

Luther and the Avant Garde, Stiftung für Kunst und Kultur e.V., Wittenberg, Germany, May 19 — September 17, 2017 (group)


Jean-François Millet Retrospective, The Palais des Beaux-Arts, Lille, France, October 14, 2017 — January 22, 2018 (group)

Enjoy, Chiostro del Bramante, Rome, Italy, September 23, 2017 — February, 2018 (group) 


Exploratory Works: Drawings from the Department of Tropical Research Field Expeditions, co-curated with Katherine McLeod and Madeleine Thompson, The Drawing Center, New York, NY, April 14 — June 25, 2017 (solo) 

Mark Dion: The Wondrous Museum of Nature, Kunstmuseum St. Gallen, Switzerland, December 16, 2016 — December 2017 (solo)

Mark Dion, Institute of Contemporary Art Boston, Boston, MA, October 4, 2017 — January 7, 2018 (solo)

The Garden—End of Times, Beginning of Times, ARoS Aarhus Kunstmuseum, Aarhus, Denmark, April 8 — September 10, 2017 (group)

A Good Neighbor: the 15th Istanbul Biennial, Istanbul, Turkey, September 16 — November 12, 2017 (group)

Prospect 4. The Lotus in Spite of the Swamp, Prospect New Orleans, New Orleans, LA, November 18, 2017 — February 25, 2018 (group) 

The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (site-specific commission)

The Conservator’s Cupboard, Bard Graduate Center, New York, NY

Virginia Curiosity Shop: a Mark Dion Project for UVA, The University of Virginia, Charlottesville, VA 


Maison des ombres multiples (Multiple shadow house), Musée d’art contemporain, Montréal, Canada, June 21 — October 8, 2017 (solo)

L'emozione dei Colori, Castello di Rivoli Museum of Contemporary Art, Rivoli, Italy, March 13 — July 2017 (group)

The Colours of De Stijl, Kunsthal KAdE, Amersfoort, The Netherlands, May 6 — September 3, 2017 (group)

Olafur Eliasson: Green light - An artistic workshop, Viva Arte Viva, 57th International Art Exhibition of La Biennale di Venezia, Venice, Italy, May 13 — November 26, 2017 (group) 

SUR/FACE. Spiegel, Museum Angewandte Kunst, Frankfurt, Germany, June 24 — October 1, 2017 (group)

Olafur Eliasson: Green light – An artistic workshop, Yokohama Triennale 2017, Yokohama, Japan, August 4 — November 5, 2017 (group) 


Tanya Bonakdar Gallery, New York, June 22 — July 28, 2017 (solo)

The Restless Earth, Triennale di Milano, Fondazione Nicola Trussardi, April 28 — August 20, 2017, curated by Massimiliano Gioni (group)

Markets and People, Kunstraum Baden, Baden, Switzerland, April 30 — July 9, 2017

Value, Staatlichen Kunsthalle Baden-Baden, Germany, and Kunsthaus Zurich, Switzerland, Summer 2017 (group)

Museum of Contemporary African Art (selections). Works from the Collection, Tate Switch House, London, ongoing (group)



Permanent outdoor sculpture, Château la Coste, Le Puy Ste Réparade, France, Summer 2017


Giant, Blanton Museum of Art, Austin, TX, July 2 — October 15, 2017 (solo)

Women of Venice, Teresa Hubbard / Alexander Birchler and Carol Bove, Pavilion of Switzerland, 57th Venice Biennial, curated by Phllipp Kaiser, Venice, Italy, May 13 — November 26, 2017 (group)



International Grant Recipients
IASPIS, Swedish Arts Grants Committee's International Programme for Visual and Applied Artists, Stockholm, Sweden, May 15 — July 31, 2017


2017 recipients of the highest honor, the degree of Doctor of Fine Arts (Honoris Causa), Nova Scotia College of Art and Design University, Halifax, Canada



Public Lecture: Villa Bleuler, Swiss Institute for Art and Research and Kunstbulletin, Zurich, Switzerland, August 22, 2017, 6:00 — 7:30pm


Center for Contemporary Art, Tel Aviv, Israel, June 15 — August 19, 2017 (solo)


SCAD, Savannah College of Art and Design, Savannah, GA, September 2017 (solo)


The Times, The Flag Art Foundation, New York, NY, June 1 — August 11, 2017 (group)


Art and Space, Guggenheim Bilbao, Spain, curated by Manuel Cirauqui, December 5, 2017 — April 8, 2018 (group)


99 Cents or Less, Museum of Modern Art Detroit, Detroit, MI, May 19 — August 6, 2017 (group)


Islands and Atolls. Mapping Imagination, Wozownia Art Gallery, Torun, Poland, June 2 — July 23, 2017 (group)


The Policeman's Beard is Half Constructed, Bonner Kunstverein, Bonn, Germany, September 22 — November 19, 2017 (group)

An American City, Front, Cleveland, OH, July 7 — September 30, 2018 (group) 


MIT Center for Art Science and Technology, Massachusetts Institute of Technology, Boston, MA, January 2017


Agnieszka Kurant, "Harnessing the unpredictable power of emergence," Cabinet Magazine, issue 61


Museum of Art in Lodz, Lodz, Poland, Fall 2017


Illusion and Revelation, Bonnefanten Museum, Maastricht, Netherlands, December 24, 2016 — November 27, 2017 (group)



Versus Rodin: Bodies across space and time, Art Gallery of South Australia, Adelaide, Australia, March 4 — July 2, 2017 (group)


LOVE. Contemporary Art Meets Amour, La Permanente, Milan, Italy, March 17 — July 23, 2017 (group) 

The Absent Museum, WIELS, Brussels, Belgium, April 20 — August 13, 2017 (group) 

The Beauty of the Beast, Kasteel d’Ursel, Hingene, Belgium, May 25 — October 15, 2017 (group)

New Outdoor Sculpture Commission, Minneapolis Sculpture Garden, Walker Art Center, Minneapolis, MN, 2017 (public commission)



Viva Arte Viva, 57th Venice Biennale, Venice, Italy, curated by Christine Macel, May 13 — November 26, 2017 (group)


Cosmic spring. The garden of metamorphoses, Centre Pompidou-Metz, Metz, France, March 18 — August 28, 2017 (group)


Political Intent and Beyond Limits, Museum of Fine Arts, Boston, MA, September 2016 — July 30, 2017 (group)

14th Biennale de Lyon: Floating Worlds, Lyon France, September 18, 2017 — January 7, 2018 (group)

Art and Space, Guggenheim Bilbao, Spain, curated by Manuel Cirauqui, December 5, 2017 — April 8, 2018 (group)


Museum of Contemporary Art Chicago, Chicago, IL, June 2017 (permanent)

GaiaMotherTree, Beyeler Foundation for the Zurich train station, Basel, Switzerland, Summer 2018


Secondary Stories, SPACE, The Linda Pace Foundation Gallery, San Antonio, TX, through July 29, 2017 (solo)


Starting Point (Coppel Collection), Sala de Arte Santander, Madrid, Spain, opens February 20, 2017 (group)


Now, Modern One, Scottish National Gallery of Modern Art, Edinburgh, UK, March 25 — September 24, 2017 (group)


How to read El Pato Pascual, MaK Center for Art and Architecture, Los Angeles, CA, September 9, 2017 — January 15, 2018 (group)


Prospect 4. The Lotus in Spite of the Swamp, Prospect New Orleans, New Orleans, LA, November 18, 2017 — February 25, 2018 (group)

Art and Space, Guggenheim Bilbao, Spain, curated by Manuel Cirauqui, December 5, 2017 — April 8, 2018 (group)


Between Film and Photography, Foto Museum, Antwerp, Belgium, June 23 — October 1, 2017 (group)


Spine, in collaboration with Karen Archey, featuring texts by Andrea Hickey, Maika Pollack, Laura Solomon and Karen Archey. Cleveland: Museum of Contemporary Art Cleveland Press, forthcoming Spring 2017. 


Part File Score, Blanton Museum of Art, Austin, TX, February 12 — July 9, 2017 (solo)


Susan Philipsz, Scottish National Galleries, Edinburgh, Scotland, October 2017 (solo)


Susan Philipsz, BALTIC Centre for Contemporary Art, Gateshead, UK, October 2017 (solo)


Moving is in Every Direction, Narrative Spaces, Hamburger Bahnhof, Berlin, Germany, March 17 — September 17, 2017 (group)


Soundtracks, SFMOMA, San Francisco, CA, July 16 — December 31, 2017 (group)


Seven Tears, Sculpture International Rotterdam, Rotterdam, The Netherlands


English Heritage commission, Belsay Hall Castel and Gardens, Northumberland, UK (upcoming)


Awarded commission, Birmingham Big Art Project, Birmingham, UK


Progressive Praxis, de la Cruz Collection, Miami, FL, December, 2016 — November 2017 (group)

NGV Triennial, National Gallery of Victoria, Melbourne, Australia, December 15, 2017 — April 15, 2018 (group) 

Unpacking: The Marciano Collection, Curated by Philipp Kaiser, Marciano Art Foundation, Los Angeles, CA, May 25 — December 24, 2017 (group)

The Museum of Contemporary Art (MOCA) Grand Avenue, Los Angeles, CA

California State University Long Beach, Long Beach, CA, September 26, 2017


Tomás Saraceno, Museo de Arte Moderno Buenos Aires, Argentina, April 7 — August 27, 2017 (solo)

Aerosolar Journeys, Museum Haus Konstruktiv, Zürich, Switzerland, June 1 — September 3, 2017 (solo)

Tomás Saraceno, ACC - Asia Culture Center in Gwangju, South Korea, June 2017 (solo)

Tomás Saraceno: Connectome, Baltimore Museum of Art, Baltimore, MD, October 1, 2017 — June 3, 2018 (solo)

Tomás Saraceno, Palais de Tokyo, Paris, France, Fall 2018 (solo)

Many suns and worlds, Vanhaerents art collection, Brussels, Belgium, April 21, 2016 — October 28, 2017 (solo)

Socle du Monde Biennale, Herning, Denmark, April 29 — August 28, 2017 (group)

In Orbit - Reopening, K21 Ständehaus, Düsseldorf, Germany, March 25, 2017 (installation)

Solar Bell Ensemble, Contemporary Arts Center, Cincinnatti, OH, June 17, 2016 — June 2017 (installation)

Seoul Biennale, Seoul, South Korea, September 1 — 5, 2017 (Aerocene project)

Centre de Cultura Contemporània de Barcelona, Barcelona, Spain, October 2017 (Aerocene project)


SCHAULAGER 9.44, Bureau Mueller, Berlin, Germany, September 14, 2016 — August 1, 2017 (solo)

Thomas Scheibitz, Kunstmuseum Bonn, Germany, February 1 — April 29, 2018 (solo)

Thomas Scheibitz, Wilhelm-Hack-Museum, Ludwigshafen, Germany, May 19 — August 12, 2018 (solo)

Abstract Painting Now!, Kunsthalle Krems, Austria, July 2 — November 5, 2017 (group)

I am not my target audience, Kunsthaus Dresden - Städtische Galerie für Gegenwartskunst, Dresden, Germany, May 18 — August 13, 2017 (group)

Mental Yellow. The Sun in the Zenith, KiCo - Collection, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich, Germany, May 6 — October 18, 2017 (group)


Christian Morgenstern, Remixes Collectors Box by Thomas Scheibitz, available at Image Movement, Berlin, Germany


Nose to Nose, Pejman Foundation, Tehran, Iran, May 5 — July 14, 2017 (solo)

Mouth to Mouth, SALT Galata, Istanbul, Turkey, June 22 — August 27, 2017 (solo)

Mouth to Mouth, Contemporary Art Centre, Vilnius, Lithuania, September 8 — October 18, 2017 (solo)

Mouth to Mouth, Museum of Contemporary Art, Belgrade, Serbia, November 10 — January 28, 2018 (solo)


Sprache, Deutsches Hygiene Museum, Dresden, Germany, September 24, 2016 — August 20, 2017 (group)


Frans Masereel and Contemporary Art: Resistance in Images, mu.ZEE, Oostende, Belgium, April 1 — September 03, 2017 (group)

Un-official stories, Galleria Doris Ghetta, Ortisei, Italy, June 1 — July 25, 2017 (group)

32. Biennial of Graphic Arts, Ljubljana, Slovenia, June 16, 2017 — October 29, 2017 (group)

The Future is Certain; It’s the Past Which is Unpredictable, Calvert 22, London UK, June 23 — August 20, 2017 (group)

Imaginary Geography, ACC - Asia Culture Center, Gwangju, South Korea, October 26, 2017 — February 25, 2018 (group) 


Lecture - Performances
Al Isnad or Chains We Can Believe In, SALT Galata, Istanbul, Turkey, June 22, 2017 


Ethics of Depiction: Still Life, Landscape, Human, Oakland University Art Gallery, Auburn Hills, MI, September 9 — November 19, 2017 (group) 



Toujours, le muse comme témoin, Museo Amparo, Peubla, Mexico, December 8, 2016 — August 1, 2017 (group) 

L’emozione dei COLORI nell’arte, Castello di Rivoli Museo d’Arte Contemporanea and GAM – Galleria Civica d’Arte Moderna e Contemporanea, Torino, Italy, March 14 — July 23, 2017 (group)


99 Cents or Less,  Museum of Contemporary Art Detroit, Detroit, MI, May 19 — August 6, 2017 (group)

Brand New: Art and Commodity in the 1980s, Hirshhorn Museum, Washington, D.C., February 14 — May 13, 2018 (group)


Sarah Sze, Copenhagen Contemporary, Copenhagen, Denmark, March 10 — September 03, 2017 (solo) 

Sarah Sze, Haus der Kunst, Munich, Germany, opening September 2017 (solo)

New Acquisitions, Institute of Contemporary Art Boston, Boston, MA, February 15, 2017 — February 25, 2018 (group)

The Times, The Flag Art Foundation, New York, NY, June 1 — August 11, 2017 (group)

The Garden - End of Times; Beginning of Times, ARoS Triennial, Aarhus, Denmark, June 3 — July 30, 2017 (group)

À Venir, SeMA, Seoul Museum of Art, Seoul, Korea, May 30 — August 15, 2017 (group)

Glasstress 2017, Palazzo Franchetti, Venice, Italy, May 11 — November 26, 2017 (group) 

Permanent Installations
New York Metropolitan Transportation Authority’s 2nd avenue subway line, 96th street station, New York, NY, January 2017

Congress Square, Portland, Maine (upcoming)

Western Washington University, Bellingham, WA (upcoming)


Museum of Lost Public Notices, George Paton Gallery Melbourne, Melbourne, Australia, Opens May 5, 2017 (group)



Gillian Wearing, The National Gallery of Denmark, København, October 12, 2017 — January 7, 2018 (TBC) (solo)

Versus Rodin: Bodies Across Space and Time, Gallery of South Australia, Adelaide, Australia, March 4 — July 2, 2017 (group)

Duet with Artist—Participation as Artistic Principle, Museum Morsbroich, Leverkusen, Germany, May 21 — August 27, 2017 (group)

BEHOLD THE MAN, Part II, Kunstmuseum Kloster Unser Lieben Frauen Magdeburg, Magdeburg, Germany, May 21 — November 5, 2017 (group)

The Heart of the Tin Man, M Woods, Beijing, China, Summer 2017 (group)

Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK, July 2 — November 5, 2017 (group)

We Are Here, Museum of Cotemporary Art Chicago, Chicago, IL, August 19, 2017 — April 1, 2018 (group)

Parliament Square, London, UK, 2017 (public commision)


Croissants & Architecture, an instalment of Outoffocus, an online art commission curated by Ariella Yedgar and Rosie Cooper, March 30 — November 20, 2017 (solo)


Kunstverein Hamburg, Hamburg, Germany, February 2018 (solo)


Hot Pot. Further Thoughts on Earthy Materials, Gesellschaft für Aktuelle Kunst GAK, Bremen, Germany, May 21 — August 6, 2017 (group)

I am not my target audience, Kunsthaus Dresden - Städtische Galerie für Gegenwartskunst, Germany, May 18 — August 13, 2017 (group)

Manners, Tate Britain, London, UK, until 2018 (special commission)