Tanya Bonakdar Gallery, New York, NY, February 9 - March 11, 2017 (solo) 

Uta Barth, Snite Museum of Art, University of Norte Dame, South Bend, IN, 2017 (solo) 

L.A. Exuberance: New Gifts by Artists, Los Angeles County Museum of Art, curated by Rita Gonzalez and Michael Govan, Los Angeles, CA, October 30 - April 2, 2017 (group)



Tanya Bonakdar Gallery, New York, NY, May 2017 (solo)

Spotlight: 'Do Words Have Voices,' Tate Britain, London, UK, November 28, 2017 (solo presentation)

EUROVISIONS: Contemporary art from the Goldberg Collection, National Art School, Sydney, Australia, 2017. Touring to Heidie Museum, Melbourne and Canberra Regional Museum in 2018.

L’Esprit Du Bauhaus, L’Objet en Question, Musée Des Arts Décoratifs, Paris, France, October 19, 2016 - February 26, 2017 (group)

All the Gravity, All the Air, Swiss Re, Zurich, Switzerland, upcoming 2017 (group commission)

Beyond the Sea, Against the Sun, TELUS Garden, Vancouver, Canada, Spring / Summer 2017 (public art project)



Meditation Room, curated by Raphaela Platow, Contemporary Art Center Cincinnati, Cincinnati, OH, Fall 2017 (solo)

Lobby Entrance Project, curated by Steven Matjico, Contemporary Art Center Cincinnati, Cincinnati, OH, Fall 2017 (solo)

Surrounding Paulo Reis, curated by David Barro, DIDAC - Dardo Instituto do Deseño e das Artes Contemporáneas, Santiago de Compostela, Spain, March 3 - April 24, 2017 (group)

The artist will release her new book, Chance and Necessity, published by Projeto Fidalga, with contribution by Yuki Kondo, Laura R. Colkitt and Miguel Chaia, on March 2017


Constellations: Highlights from the Nation’s Collection of Modern Art, Tate Liverpool, Liverpool, UK, November 25, 2016 - July 2019 (group)

Collection on Display: Communities, Migros Museum für Gegenwartskunst, Zürich, Switzerland, February 17 - May 27, 2017 (group)

I can call this progress to halt, Los Angeles Contemporary Exhibitions, Los Angeles, CA, March 8 - April 23, 2017, screening April 12 - 16, 2017 (group) 

CPH:DOX Copenhagen International Documentary Film Festival, Copenhagen, Denmark, March 16 - 26, 2017 (group) 


Trauma and Revival, Bunkier Sztuki Contemporary Art Gallery, Krakow, Poland, March 17 - May 25, 2017 (group)

Flatpack Film Festival, Birmingham, UK, April 4 - 9, 2017 (group)

Manchester International Festival, Manchester, UK, June 29 - July 16,  2017 (group)

La Terra Inquieta / The Restless Earth, Fondazione Nicola Trussardi and La Triennale di Milano, Milan, Italy, April 28 - August 20, 2017 (group)

The Image of War, Bonniers Konsthall, Stockholm, Sweden, September 20, 2017 - January 14, 2018 (group)

The Return of Memory, HOME, Manchester, UK, September 30 - November 28, 2017 (group)


On the Origins of Art, Museum of Old and New Art, Tasmania, Australia, November 5 2016 - April 17, 2017 (group)


Thresholds, Photo London, Somerset House, London, UK, May 2017 (traveling group exhibition)




Exploratory Works: Drawings from the Department of Tropical Research Field Expeditions, co-curated with Katherine McLeod and Madeleine Thompson, The Drawing Center, New York, NY, April 14 - June 25, 2017 (co-curated show) 

Mark Dion: The Wondrous Museum of Nature, Kunstmuseum St. Gallen, Switzerland, December 16, 2016 - December 2017 (solo)

Mark Dion, Institute of Contemporary Art Boston, Boston, MA, October 4, 2017 - January 7, 2018 (solo)

Just the Facts, The Milwaukee Institute of Art & Design Frederick Layton Gallery, Milwaukee, WI, January 9 - March 4, 2017 (group)

Constructing Paradise, The Austrian Cultural Forum, New York, NY, February 1 - April 24, 2017 (group)

Wundercamera,Telefair Museum of Art, Savannah, GA, February 17 - May 14, 2017 (group)

The Garden—End of Times, Beginning of Times, ARoS Aarhus Kunstmuseum, Aarhus, Denmark, April 8 – September 10, 2017 (group)

The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (site-specific commission)

The Conservator’s Cupboard, Bard Graduate Center, New York, NY

Virginia Curiosity Shop: a Mark Dion Project for UVA, The University of Virginia, Charlottesville, VA (upcoming)



Tanya Bonakdar Gallery, New York, NY, March 23 - April 22, 2017 (solo)

Olafur Eliasson: Pentagonal landscapes, EMMA - Espoo Museum of Modern Art, Espoo, Finland, February 8 – May 21, 2017 (solo)


MACM Musée d’art comtemporain, Montréal, Canada, June 21- October 8, 2017 (solo)


The Power of the Avant-garde (collaboration with Warsaw), Bozar Expo, Brussel, Belgium, September 29, 2016 - January 22, 2017 (group)


Sugar Spin; You, Me, Art and Everything, Queensland Art Gallery and Gallery of Modern Art, South Brisbane, Australia, December 3, 2016 - April 17, 2017 (group) 

Viva Arte Viva, curated by Christine Macel, 57th Venice Biennale, Venice, Italy, May 13 - November 26, 2017 (group) 

Art and Space, Guggenheim Bilbao, Spain, curated by Manuel Cirauqui, December 5, 2017 - April 8, 2018 (group)


Olafur Eliasson: Green light, The Moody Center for the Arts, Houston, TX, February 24 - Mid May, 2017 (Artistic workshop) 


Tree of Codes  (contemporary ballet)
Sadler's Wells, London, March 4 -11, 2017
Musikhuset, Aarhus, Denmark, April 27 - 29, 2017


Tanya Bonakdar Gallery, New York, June 2017 (solo)

Meschac Gaba, Le Centre, Cotonou, Benin, February 4 - April 1, 2017 (solo)

The Restless Earth, Triennale di Milano, Fondazione Nicola Trussardi, April 28 - August 20, 2017, curated by Massimiliano Gioni (group)

Value, Staatlichen Kunsthalle Baden-Baden, Germany, and Kunsthaus Zurich, Switzerland, Summer 2017 (group)

Museum of Contemporary African Art (selections). Works from the Collection, Tate Switch House, London, ongoing (group)


2116: Forecast of the Next Century, Eli & Edyth Broad Art Museum, Michigan State University, East Lansing, MI, November 5, 2016 - April 2, 2017 (group)

Disobedient Bodies, The Hepworth Wakefield, Wakefield, UK, March 18 - June 18, 2017 (group)

Permanent outdoor sculpture, Château la Coste, Le Puy Ste Réparade, France, Summer 2017


Giant, Blanton Museum of Art, Austin, TX, June 9 - October 15, 2017 (solo)

The Adventure of our Collection, Re-opening of the Kaiser Wilhelm Museum, Kunstmuseen Krefeld, Kaiser Wilhelm Museum, Germany, July 2, 2016 – February, 2017 (group)


Cinema mon amour. Film in the Arts, Aargauer Kunsthaus Aarau, Switzerland, January 22 – April 17, 2017 (group)

Flora, part of Women of Venice, curated by Philipp Kaiser, Swiss Pavilion, 57th Venice Biennale, Venice, Italy, May 13 - November 26, 2017

Missing Truffaut, Public Sculpture at the Betty and Edward Marcus Sculpture Park at Laguna Gloria, Contemporary Austin in collaboration with Waller Creek Conservancy, Austin, TX, ongoing


IASPIS Grant Holders 2017:
Teresa Hubbard and Alexander Birchler are awarded the 2017 Artist Grant at the Swedish Arts Grants Committee´s International Programme for Visual and Applied Artists, Stockholm, Sweden. 


Marlene Dumas & Carla Klein, The Garden Room, Museum voor Modern Realisme, Ruurlo, The Netherlands, January 22 - April 30, 2017 (group)



Savannah College of Art and Design, Savannah, GA, September, 2017 (solo)

99 Cents, Museum of Modern Art Detroit, Detroit, MI, 2017 (group)

Life. A User's Manual, Zachęta National Gallery of Art, Warsaw, Poland, February, 2017 (group)

All the Time at Work, Galeria Labirynt, Lublin, Poland, March 31 - April 23, 2017 (group)

Wozownia Art Gallery, Torun, Poland, June 2017 (group)

The Policeman's Beard is Half Constructed, Bonner Kunstverein, Bonn, Germany, September 22 - November 19, 2017 (group)

Art and Space, Guggenheim Bilbao, Spain, curated by Manuel Cirauqui, December 5, 2017 - April 8, 2018 (group)

MIT Center for Art Science and Technology, Massachusetts Institute of Technology, Boston, MA, January, 2017

Agnieszka Kurant, "Harnessing the unpredictable power of emergence," Cabinet Magazine, issue 61

Museum of Art in Lodz, Lodz, Poland, Fall 2017 



Illusion and Revelation, Bonnefanten Museum, Maastricht, Netherlands, December 24, 2016 - November 27, 2017 (group)

Lugares do Delírio, Museu de Arte do Rio - Mar, Rio de Janeiro, Brazil, February 7 - June 18, 2017 (group)



Visiting Artist, Maryland Institute of Art, Baltimore, MD, February 7, 2017



All You Need is Love, Chiostro Del Bramante, Rome, Italy, September 28, 2016 - February 19, 2017 (group)

Figures Humaines, Charles Riva Collection, Brussels, Belgium, April 18, 2016 - February 25, 2017 (group)

Goed gemaakt. Een ode aan het maakproces, Kunsthal KAdE, Amersfoort, Netherland, January 21 - April 17, 2017 (group)

The Inner Skin—Art and Shame, MARTa Herford, Herford, Germany, March 3 - June 4, 2017 (group)

Versus Rodin: Bodies across space and time, Art Gallery of South Australia, Adelaide, Australia, March 4 - July 2, 2017 (group)

The Absent Museum, WIELS, Brussels, Belgium, April 20 - August 13, 2017 (group) 

The Beauty of the Beast, Kasteel d’Ursel, Hingene, Belgium, May 25 - October 15, 2017 (group)

New Outdoor Sculpture Commission, Minneapolis Sculpture Garden, Walker Art Center, Minneapolis, MN, 2017 (public commission)



Viva Arte Viva, curated by Christine Macel, 57th Venice Biennale, Venice, Italy, May 13 - November 26, 2017 (group) 

Cosmic spring. The garden of metamorphoses, Centre Pompidou-Metz, France, 2017 (group)

Political Intent and Beyond Limits, Museum of Fine Arts, Boston, MA, September, 2016 - ongoing (group)



The Name of Fear, Museu de Arte do Rio, Rio de Janeiro, Brazil, Workshop on October 15, 2016, exhibition to follow February, 2017 (solo)

Rivane Neuenschwander: Zé Carioca e Amigos (Zé Carioca contra o goleiro Gastão) [Joe Carioca and Friends (Joe Carioca vs. the Goalkeeper Gastão / 1961)], Colby College, September 15, 2016 - March 19, 2017 (solo)

Secondary Stories, SPACE, The Linda Pace Foundation Gallery, San Antonio, TX, through July 29, 2017 (solo)

Entangled: Threads & Making, Turner Contemporary, Margate, UK, January 28 - May 7, 2017 (group)


Starting Point (Coppel Collection) , Sala de Arte Santander, Madrid, Spain, opens February 20, 2017 (group)

Now, Modern One, Scottish National Gallery of Modern Art, Edinburgh, UK, March 25 - September 24, 2017 (group)

Art and Space, Guggenheim Bilbao, Spain, curated by Manuel Cirauqui, December 5, 2017 - April 8, 2018 (group)


Broadway Billboard: Lisa Oppenheim, Socrates Sculpture Park, Long Island City, NY, September 25, 2016 - March 12, 2017 (solo)

Spine, Museum of Contemporary Art Cleveland, Cleveland, OH, January 27 - May, 2017 (solo)


Spine, in collaboration with Karen Archey, featuring texts by Andrea Hickey, Maika Pollack, Laura Solomon and Karen Archey. Cleveland: Museum of Contemporary Art Cleveland Press, forthcoming Spring 2017. 


Susan Philipsz: Returning, Kunstverein Hannover, Hannover, Germany, December 10, 2016 - February 26, 2017 (solo)

Susan Philipsz: Lost in Space, Bonniers Konsthall, Stockholm, Sweden, February 22 - May 6, 2017 (solo)

Susan Philipsz, Foundling Museum, London, UK, September 2017 (solo)

Susan Philipsz, Scottish National Galleries, Edinburgh, Scotland, October 2017 (solo)

Susan Philipsz, BALTIC Centre for Contemporary Art, Gateshead, UK, October 19, 2017 (solo)

Susan Philipsz, Lismore Castle Arts, Lismore, Ireland, 2018 (solo)

Kontakt, The Art Collection of Erste Group, ERSTE Foundation Zagreb, Vienna, Austria, November, 2016 - May 2017 (group)


You Are Here, West, Den Haag, The Netherlands, March 11 - May 14, 2017 (group)

Wanderlust, The High Line, New York, April 2016 - March 2017 (group)

Samdani Art Foundation, Dhaka, Bangladesh, April 6 - April 15, 2017 (group)

Moving is in Every Direction, Narrative Spaces, Hamburger Bahnhof, Berlin, Germany, March 17 - September 17, 2017 (group)

Aperto Space, Berlin, Germany, October 21, 2016 (group)

Soundtracks, SFMOMA, San Francisco, CA, July 16 - December 31, 2017 (group)

Susan Philipsz - Seven Tears, Sculpture International Rotterdam, Rotterdam, The Netherlands, March 23, 2017

Susan Philipsz, English Heritage commission, Belsay Hall Castel and Gardens, Northumberland, UK, October 2017


Good Dreams, Bad Dreams - American Mythologies, Aïshti Foundation, Beirut, Lebanon, June 23, 2016 - April 2017 (group) 


Progressive Praxis, de la Cruz Collection, Miami, FL, December, 2016 - November 2017 (group)


No Man's Land: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington DC, September 30, 2017 - January 8, 2017 (group)


L.A. Exuberance: New Gifts by Artists, Los Angeles County Museum of Art, curated by Rita Gonzalez and Michael Govan, Los Angeles, CA, October 30 - April 2, 2017 (group)

Analia Saban Catalogue, LA Art Book Fair, Los Angeles, Saturday, February 25, 2017, 3pm (announcement and book signing)

The Histories and Uses of Materials, with respondent Ruba Katrib,Curator at the SculptureCenter and artist Nina Beier and Kaari Upson, Helen Frankenthaler Foundation, New York, April 26, 2017 (panel discussion)



Wilhelm-Hack Museum, Ludwigshafen, Germany, February 2017 (solo)

Tomás Saraceno, Museo de Arte Moderno Buenos Aires, Argentina, April 2017 (solo)

Tomás Saraceno, ACC - Asia Culture Center in Gwangju, South Korea. From May / early June 2017 (solo)

Tomás Saraceno: Stillness in Motion - Cloud Cities, Museum of Modern Art, San Francisco, CA, December 17, 2016 – May 21, 2017 (solo)

Museum Haus Konstruktiv, Zürich, Switzerland, June 2017 (solo)

Tomás Saraceno, Palais de Tokyo, Paris, France, Fall 2018 (solo)

Many suns and worlds, Vanhaerents art collection, Brussels, Belgium, April 21, 2016 - October 28, 2017 (solo)

Elbphilharmonie Revisited, Deichtorhallen, Hamburg, Germany. February 1 - May 1, 2017 (group)

Antarctic Biennale, Ushuaia, Argentina, March 27 - April 6, 2017 (group) 

Socle du Monde Biennale, Herning, Denmark, April 29 – August 28, 2017 (group)

Shanghai Biennale, Shanghai, China, November 11, 2016 - December 3, 2017 (group)


Mappletree, Singapore, March 31, 2017 (public commision)

HAT-P-12, Taipei, Taiwan, March 2017 (public commision)

In Orbit - Reopening, K21 Ständehaus, Düsseldorf, Germany, March 25, 2017 (installation) 

Speaker (to present his recent projects) at the inauguration of TED Talks in Spanish, Vancouver Convention Centre, Vancouver, Canada, April 24 - April 28, 2017 (talk)

Solar Bell Ensemble, Contemporary Arts Center, Cincinnatti, OH, June 17, 2016 - June 2017 (installation)

Cloud Cities installation at NYU Abu Dhabi Library, United Arab Emirates, August 12, 2017 (installation)

Aerocene, Néstor Kirchner Cultural Centre, Buenos Aires, Argentina, TBC (Aerocene project)

Z33 Kunstencentrum, Hasselt, Belgium, TBC (public project)



SCHAULAGER 9.44, Bureau Mueller, Berlin, Germany, September 14, 2016 – August 1, 2017 (solo)

Thomas Scheibitz, Kunstmuseum Bonn, Germany, February 1 - April 29, 2018 (solo)

Mental Yellow. The Sun in the Zenith, KiCo - Collection, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich, Germany, May 6 - October 18, 2017 (group)

My Abstract World, me Collectors Room Berlin/Stiftung Olbricht, Berlin, Germany, September 14, 2016 - April 02, 2017 (group)

Christian Morgenstern, Remixes Collectors Box by Thomas Scheibitz, opening at Galerie Sprüth Magers / Image Movement, Berlin, Germany, release date: March 18, 2017




Mouth to Mouth, The Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland, November 25, 2016 - February 19, 2017 (solo)

Mouth to Mouth, Pejman Foundation, Tehran, Iran, April 7 - June 10, 2017 (solo)

Mouth to Mouth, SALT Galata, Istanbul, Turkey, June 26 - August 28, 2017 (solo)

Mouth to Mouth, Contemporary Art Centre, Vilnius, Lithuania, September 1 - October 29, 2017 (solo) 

Albertinum, Dresden, Germany, Winter 2017 (solo)

KölnSkulptur#8, Skulpturenpark, Köln, Germany, June 12, 2015 - March, 2017 (group)


Labor Relations: Works from the Collection, Wrocław Contemporary Museum, Poland, June 10, 2016 - March 27, 2017 (group)

BrisAsia Festival 2017, Various locations, Brisbane, Australia, February 16 - May 1, 2017 (group)


Frans Masereel and Contemporary Art: Resistance in Images, mu.ZEE, Oostende, Belgium, April 1 - September 03, 2017 (group)

Sprache, Deutsches Hygiene Museum, Dresden, Germany, September 24, 2016 - August 20, 2017 (group)

AL-ISNAD, The Centre for Contemporary Art Ujazdowski Castle, Warsaw, Poland,
February 18, 2017

I UTTER OTHER, Goethe Institute, Prague, Czech Republic, March 9, 2017



High Line Plinth: Proposal Exhibition, The High Line, New York, NY, February 10 - April 30, 2017 (group)

A Brief History of Humankind, Bundeskunsthalle, Bonn, Germany, November 22, 2016 - March 26, 2017 (group)

Cher(e)s Ami(e)s, Centre Pompidou, Paris, France, March 23, 2016 - March 27, 2017 (group) 

Toujours, le muse comme témoin, Museo Amparo, Peubla, Mexico, February - June 2017 (group) 

L’emozione dei COLORI nell’arte, Castello di Rivoli Museo d’Arte Contemporanea and GAM – Galleria Civica d’Arte Moderna e Contemporanea, Torino, Italy, March 14 - July 23, 2017 (group)

Brand New: Art and Commodity in the 1980s, Hirshhorn Museum, Washington, D.C., February 14 - May 13, 2018 (group)


Artists against Aids 2017, Bundeskunsthalle Bonn, Bonn, Germany, May 25 - June 6, 2017 (group)



Sarah Sze, Copenhagen Contemporary, Copenhagen, Denmark, Opening March 2017 (solo) 

Sarah Sze, Haus der Kunst, Munich, Germany, opening September 2017 (solo)

Storm King Art Center, New Windsor, NY, indoor and outdoor installation (solo)

New Acquisitions, Institute of Contemporary Art Boston, Boston, MA, opening Feb 15, 2017 (group)

DRAW/Boston, Sandra and David Bacalar Gallery, Massachusetts College of Art and Design, Boston, MA, January 23 - March 4, 2017 (group)

For time is the longest distance between two places,  Musée d’art contemporain de Montréal, Montréal, Canada, November 19, 2016 - March 12, 2017 (group)

The Present Order, Stiftung Galerie für Zeitgenössische Kunst, Leipzig, Leipzig, Germany, November 19, 2016 - March 15, 2017 (group)


Deep Cuts: Contemporary Paper Cutting, Currier Museum of Art, Manchester, NH, February 25, 2017 - May 21, 2017 (group)

Glasstress 2017, Palazzo Franchetti, Venice, Italy, May 9 - November 26, 2017 (group) 

The Garden - End of Times; Beginning of Times, ARoS Triennial, Aarhus, Denmark, June 3 - July 30, 2017 (group)

À Venir, SeMA, Seoul Museum of Art, Seoul, Korea, May 30th - August 15th, 2017 (group)

National Academy Distinguished Achievement Award - February, 2017

Permanent Installations
New York Metropolitan Transportation Authority’s 2nd avenue subway line, 96th street station, New York, January, 2017

Congress Square, Portland, Maine (upcoming)

Western Washington University, Bellingham, WA (upcoming)



Book Works Art Works, Marylyn and Chuck Klaus Center for the Arts, Marymount California University, San Pedro, CA, February 2 – March 24, 2017 (group)

Afraid of Modern Living: World Imitation & Monitor 1977- 1982, These Days, Los Angeles, CA March 4 – April 23, 2017 (group)



Behind the mask, another mask: Gillian Wearing and Claude Cahun, National Portrait Gallery, London, UK, March 9 - May 29, 2017 (solo)

Gillian Wearing, The National Gallery of Denmark, København, October 12, 2017 - January 7, 2018 (TBC) (solo)

One and the other, Zabludowicz Collection, London, UK, January 19 - Februray 26, 2017 (group)

The Inner Skin—Art and Shame, MARTa Herford, Herford, Germany, March 3 - June 4, 2017 (group)

Duet with Artist—Participation as Artistic Principle, Museum Morsbroich, Leverkusen, Germany, May 21 - August 27, 2017 (group)

Krakow Photomonth (festival), Kraków, Poland, 2017 (dates TBC) (group)



Croissants & Architecture, an instalment of Outoffocus, an online art comission curated by Ariella Yedgar and Rosie Cooper, March 30 - November 20, 2017 (Solo)


Book launch of Croissants & Architecture and Eigenmischung, presentation in outdoor vitrines, Motto, Berlin, Germany, April 25 - June 11, 2017 (Solo)

Kunstverein Hamburg, Hamburg, Germany, February 2018 (solo)

Elevation 1049, curated by Olympia Scarry and Neville Wakefield, Gstaad, Switzerland, February 03 - March 19, 2017 (group)


Home Is No Place, curated by Marlene Carnap and Coraly Bismarck, German Embassy, London, UK, March 15 - April 30, 2017 (Group)

Hot Pot. Further Thoughts on Earthy Materials, Gesellschaft für Aktuelle Kunst GAK, Bremen, Germany, May 21 - August 06, 2017 (group)

Manners, Tate Britain, London, UK, Until 2018 (special comission)