UTA BARTH
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Uta Barth, Snite Museum of Art, University of Norte Dame, South Bend, IN, 2018 (solo) 

MARTIN BOYCE
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Boros Collection / Bunker Berlin #3, Boros Collection, Berlin May 4, 2017 — Spring 2021 (group)

EUROVISIONS: Contemporary art from the Goldberg Collection, National Art School, Sydney, 2017. Touring to Heidie Museum, Melbourne and Canberra Regional Museum, 2018 (group)

ISelf Collection, Whitechapel, London, December 2017 (group)

Projects
All the Gravity, All the Air, Swiss Re, Zurich, Switzerland, 2017 (public art commission) 

Beyond the Sea, Against the Sun, TELUS Garden, Vancouver, 2017 (public art commission)

SANDRA CINTO
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Library of Love, curated by Raphaela Platow, Contemporary Art Center Cincinnati, Cincinnati, October 8, 2017 (solo)
 

Lobby Entrance Project, curated by Steven Matjico, Contemporary Art Center Cincinnati, Cincinnati, October 7, 2017 — July 24, 2018 (solo)

Drawing: The Beginning of Everything, Albright-Knox Art Gallery, Buffalo, New York, July 8, 2017 — October 15, 2017 (group) 

The World to Come, curated by Kerry Oliver-Smith, Harn Museum of Art, University of Florida, Gainseville, FL, September 18, 2018 — January 6, 2019 (group)


Publication
Chance and Necessity, published by Projeto Fidalga, with contribution by Yuki Kondo, Laura R. Colkitt and Miguel Chaia

PHIL COLLINS
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Tanya Bonakdar Gallery, New York, November 2 — December 16, 2017 (solo)

my heart’s in my hand, and my hand is pierced, my hand’s in the bag, and the bag is shut, and my heart is caught, Museum of Contemporary Art, Cleveland, October 7, 2017 — January 28, 2018 (solo)

Now, today, tomorrow and always, Towner Art Gallery, Eastbourne, UK, July 22 — October 8, 2017 (group)

The Image of War, Bonniers Konsthall, Stockholm, September 20, 2017 — January 14, 2018 (group)

L’Offre, DHC/ART Foundation for Contemporary Art, Montreal, October 4, 2017 — March 11, 2018 (group)

The Return of Memory, HOME, Manchester, October 21, 2017 — January 7, 2018 (group)

Truth: 24 frames per second, Dallas Museum of Art, Dallas, October 22, 2017 — January 28, 2018 (group)

The Kyiv International — Kyiv Biennial 2017, various venues, Kyiv, Ukraine, October — November, 2017 (group)

Constellations: Highlights from the Nation’s Collection of Modern Art, Tate Liverpool, Liverpool, UK, November 25, 2016 — July 2019 (group)
 

Permanent Installation 
Ceremony, Tony Wilson Place, Manchester, inaugurated July 16, 2017
 

Film Festivals
61st BFI London Film Festival, London, October, 4 — 15, 2017


Tropical Views: The Cinema of Southeast Asia, Internationale Kurzfilmtage Winterthur, Switzerland, November 7 — 12, 2017

 

Television
Ceremony, BBC4, Fall 2017 

MAT COLLISHAW
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Mat Collishaw, The Pushkin State Museum of Fine Arts, Moscow, November 15, 2017 (solo)


Luther and the Avant Garde, Stiftung für Kunst und Kultur e.V., Wittenberg, Germany, May 19 — September 17, 2017 (group)

 

Jean-François Millet Retrospective, The Palais des Beaux-Arts, Lille, France, October 14, 2017 — January 22, 2018 (group)

Enjoy, Chiostro del Bramante, Rome, September 23, 2017 — February, 2018 (group) 

MARK DION
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Mark Dion: Print Re/View, Hartford Art School Galleries at the University of Hartford, West Hartford, CT, August 24 — October 6, 2017 (solo)

Mark Dion, Misadventures of a 21st Century Naturalist, Institute of Contemporary Art Boston, Boston, October 4, 2017 — January 7, 2018 (solo)

Mark Dion: The Wondrous Museum of Nature, Kunstmuseum St. Gallen, Switzerland, December 16, 2016 — December 2017 (solo)

Mark Dion, Whitechapel Gallery, London, March 2018 (solo)

The Unreliable Narrator, Sun Valley Center for the Arts, Ketchum, ID, September 1 — November 24, 2017 (group)

Mark Dion Waiting for the Extraordinary, Institute of the Humanities, University of Michigan, Ann Arbor, September 5 — October 31, 2017 (group)

A Good Neighbor: the 15th Istanbul Biennial, Istanbul, Turkey, September 16 — November 12, 2017 (group)

Natural Histories, Traces of the Political, Museum Moderner Kunst Stiftung, Ludwig, Wien, September 23, 2017— January 14, 2018 (group)

Ambiguous Territory: Architecture, Landscape, and the Postnatural, University of Michigan Taubman College Gallery, Ann Arbor, MI, September 27 — October 18, 2017 (group)

Nature’s Nation: American Art and Environment, Princeton Art Museum, Princeton, October 13, 2018 — January 6, 2019 (group)

Artist Need to Create on the Same Scale That Society Has the Capacity to Destroy, Part I, Mana Contemporary, Jersey City, opening on October 14, 2017 (group)

Prospect 4. The Lotus in Spite of the Swamp, Prospect New Orleans, New Orleans, November 18, 2017 — February 25, 2018 (group)

Plastic Entanglements, Palmer Museum of Art, Pennsylvania State University, State College, February 14 — June 17, 2018 (group)


Projects
The Kampong, National Tropical Botanical Garden, Coconut Grove, FL (site-specific commission)

The Conservator’s Cupboard, Bard Graduate Center, New York

Virginia Curiosity Shop: a Mark Dion Project for UVA, The University of Virginia, Charlottesville, VA

OLAFUR ELIASSON
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Maison des ombres multiples (Multiple shadow house), Musée d’art contemporain, Montréal, June 21 — October 8, 2017 (solo)


Luther and the avan-garde, Foundation for Arts and Culture, Witteberg, Germany, May 19 — October 31 2017 (group)

Olafur Eliasson: Green light - An artistic workshop, Viva Arte Viva, 57th International Art Exhibition of La Biennale di Venezia, Venice, May 13 — November 26, 2017 (group) 

SUR/FACE. Spiegel, Museum Angewandte Kunst, Frankfurt, Germany, June 24 — October 1, 2017 (group)


Olafur Eliasson: Green light – An artistic workshop, Yokohama Triennale 2017, Yokohama, August 4 — November 5, 2017 (group) 

Victory Over the Sun: The Poetics and Politics of Eclipse, KMAC Museum, Louisville, KY, August 19 — December 3, 2017 (group)

Clouds⇄Forests, 7th Moscow International Biennale of Contemporary Art, Moscow, September 9 — November 18, 2017 (group)

Farewell Photography, Biennale für aktuelle Fotografie, Wilhelm Hack Museum, Ludwigshafen, Germany, September 9 — November 5, 2017 (group)

Performing History, National Museum of Modern and Contemporary Art, Seoul, September 22, 2017 — January 21, 2018 (group) 

Monochrome: Painting in Black and White, The National Gallery, London, November 1, 2017 — February 18, 2018 (group)

Artist Talk
Arctic Imagination, The New York Public Library, New York, September 21, 2017

Event
Little Sun Diamond, MOMA Design Store, New York, September 18, 2017

Project
Tree of Codes (contemporary ballet), Melbourne Festival, Melbourne, October 17 — 21, 2017

MESCHAC GABA
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Their Own Harlems, The Studio Museum Harlem, New York, July 20, 2017 — January 7, 2018 (group)

Museum of Contemporary African Art (selections), Works from the Collection, Tate Switch House, London, ongoing (group)

SABINE HORNIG
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Projects
Shadows, Sydney International Towers, Barangaroo, Sydney, 2017 (permanent installation)

CAFÉ SCHADOW, Bundestagsgebäude Schadowstraße / Dorotheenstraße, Berlin, 2019 (permanent installation)

SIOBHÁN HAPASKA
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Project

Permanent outdoor sculpture, Château la Coste, Le Puy Ste Réparade, France, 2017

TERESA HUBBARD / ALEXANDER BIRCHLER
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Giant, Blanton Museum of Art, Austin, July 2 — October 15, 2017 (solo)

Women of Venice, Teresa Hubbard / Alexander Birchler and Carol Bove, Pavilion of Switzerland, 57th Venice Biennial, curated by Phllipp Kaiser, Venice, May 13 — November 26, 2017 (solo)

Highlights from the Permanent Collection, Modern Art Museum Fort Worth, Fort Worth, TX, August 21— December 8, 2017 (group)

Von früh bis spät. Bilder des Alltags aus der Sammlung,  Kunstmuseum Lucerne, Switzerland, April 3 — November 26, 2017 (group)


Awards
International Grant Recipients
IASPIS, Swedish Arts Grants Committee's International Programme for Visual and Applied Artists, Stockholm

2017 recipients of the highest honor, the degree of Doctor of Fine Arts (Honoris Causa), Nova Scotia College of Art and Design University, Halifax, Canada

CARLA KLEIN
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Tanya Bonakdar Gallery, New York, January — February 2018 (solo) 

 

AGNIESZKA KURANT
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Collective Intelligence, SCAD, Savannah College of Art and Design, Savannah, GA, October 12, 2017 — January 14, 2018 (solo)

States of Control, HIAP – Helsinki International Artist Programme, Helsinki, August 17 — October 1, 2017 (group)

The Policeman´s Beard is Half Constructed: Art in the Age of Artificial Intelligence, Bonner Kunstverein, Bonn, Germany, September 22 — November 19, 2017 (group) 

The Half Life of Facts, Weizmann Institute of Science, Tel Aviv, October 2017 — April 2018 (group)

Yet Incomputable. Indetermination Principles in the Age of Hypervisibility and Agorithmic Control, Collection Falckenberg, Hamburg, opens ‪November 3‬, 2017 (group)

Art and Space, curated by Manuel Cirauqui, Guggenheim Bilbao, Bilbao, December 5, 2017 — April 8, 2018 (group)

An American City, FRONT International: Cleveland Triennial for Contemporary Art, curated by Michelle Grabner and Jens Hoffman, Cleveland, July 7 — September 30, 2018 (group) 

Residency
MIT Center for Art Science and Technology, Massachusetts Institute of Technology, Boston, 2017

Publication
Agnieszka Kurant, Uncomputables" Cabinet Magazine, issue 61

LAURA LIMA
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Illusion and Revelation, Bonnefanten Museum, Maastricht, Netherlands, December 24, 2016 — November 27, 2017 (group)

 

MARK MANDERS
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The Beauty of the Beast, Kasteel d’Ursel, Hingene, Belgium, May 25 — October 15, 2017 (group)


The Materiality of the Invisible, Marres, House for Contemporary Culture, Maastricht, The Netherlands, August 30 — November 26, 2017 (group)


Winter, Journey Palace of Versailles, Versailles, October 21, 2017 — January 7, 2018 (group)

Projects
Rokin Fountain, Amsterdam, The Netherlands, Unveiled September 5, 2017 

September Room (Room with Two Reclining Figures and Composition with Long Verticals), Minneapolis Sculpture Garden, Walker Art Center, Minneapolis, Unveiled September 8 — 10, 2017

ERNESTO NETO
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Viva Arte Viva, 57th Venice Biennale, curated by Christine Macel, Venice, May 13 — November 26, 2017 (group)

Drawing: The Beginning of Everything, Albright Knox Art Gallery, Buffalo, July 8—October 2015, 2017 (group)

Past/ Future/Present: Contemporary Brazilian Art from the Museum of Modern Art São Paulo, Phoenix Art Museum, Phoenix, September 1— December 3, 2017 (group)

Bienalsur, National Museum of Decorative Arts, Buenos Aires, Argentina, September 13, 2017 — January 1, 2018 (group)

Enjoy: Art meets Amusement, Chiostro del Bramante, Rome, September 23, 2017 — February 25, 2018 (group)

Floating Worlds, 14th Biennale de Lyoncurated by Emma Lavigne, Lyon, France, September 20, 2017 — January 17, 2018 (group)

Histórias da Sexualidade, MASP, São Paulo, October 20, 2017— February 14, 2018 (group)

Um dia todos fomos peixes, Blue Project Foundation, Barcelona, opening November 10, 2017 (group)

Out of Sight! Art of the Senses, Albright Knox Art Gallery, Buffalo, November 4, 2017 — April 2, 2018 (group)

Art and Space, curated by Manuel Cirauqui, Guggenheim Bilbao, Bilbao, December 5, 2017 — April 8, 2018 (group)


Commission
Boat to the Sky, Museum of Contemporary Art Chicago, Chicago, Unveiled September 22, 2017 (permanent)

GaiaMotherTree, Beyeler Foundation for the Zurich train station, Basel, Summer 2018

RIVANE NEUENSCHWANDER
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Now, Modern One, Scottish National Gallery of Modern Art, Edinburgh, UK, March 25 — September 24, 2017 (group)

Art and Alphabet, Hamburger Kunsthalle, Hamburg, July 21 — October 29, 2017 (group)

Past/ Future/Present: Contemporary Brazilian Art from the Museum of Modern Art São Paulo, Phoenix Art Museum, Phoenix, September 1 — December 3, 2017 (group)

How to Read el Pato Pascual, MAK - The Schindler House, Los Angeles, September 10, 2017 — January 15, 2018 (group)

Take me (I’m Yours)- Bienalsur, National Museum of Decorative Arts, Buenos Aires, Argentina, September 13, 2017 — January 1, 2018

Mondes flottants / Floating World Biennale de Lyon, Lyon, France, September 18 2017 — January 7, 2018 (group)

A Global table, Frans Hals Museum, Haarlem, The Netherlands, September 23, 2017 — January 8, 2018 (group)

Concreto e Sensível, Dispositivo, Poços de Caldas, Brasil, October — November, 2017 (group)

Prospect 4. The Lotus in Spite of the Swamp, Prospect New Orleans, New Orleans, November 18, 2017 — February 25, 2018 (group)

Art and Space, Guggenheim Bilbao, curated by Manuel Cirauqui, December 5, 2017 — April 8, 2018 (group)

Playtime, Peabody Essex Museum, Salem, MA, February 10 — May 6, 2018 (group)

LISA OPPENHEIM
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A Durable Web, Tanya Bonakdar Gallery, New York, September 7 — October 21, 2017 (solo)

Museum of Contemporary Art, Denver, May 2018 (solo)

Between Film and Photography, Foto Museum, Antwerp, Belgium, June 23 — October 1, 2017 (group)


Publication 
Spine, in collaboration with Karen Archey, featuring texts by Andrea Hickey, Maika Pollack, Laura Solomon and Karen Archey. Cleveland: Museum of Contemporary Art Cleveland Press, 2017

SUSAN PHILIPSZ
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War Damaged Musical Instruments, Albertinium, Staatliche Kunstsammlungen Dresden, Germany, ‪December 14, 2017 — April 15, 2018‬ (solo)

NOW: Susan Philipsz, Scottish National Galleries, Edinburgh, Scotland, ‪October 27, 2017 — February, 18, 2018‬ (solo)

A Single Voice, BALTIC Centre for Contemporary Art, Gateshead, UK, ‪October 20, 2017 — March 4, 2018‬ (solo)

Soundtracks, SFMOMA, San Francisco, CA, ‪July 15, 2017 — January 1, 2018‬ (group)

Moving is in Every Direction, Hamburger Bahnhof, Berlin, Germany, ‪March 14, 2017 — April 15, 2018‬ (group)

Projects
Air on a Broken String, Herkulessaal, Munich, Germany, ‪November 29, 2017‬

Commissions
House of Austrian History, Neue Burg, Heldenplatz, Vienna, Austria (forthcoming 2018)

English Heritage commission, Belsay Hall Castel and Gardens, Northumberland, UK (forthcoming 2018)

ANALIA SABAN
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Analia Saban, Qiao Space, Shanghai, opens November 9, 2017 (solo) 

Latin American Artist in the Marciano Collection, Marciano Art Foundation, Los Angeles, October 19, 2017 — January 20, 2018 (group) 

Progressive Praxis, de la Cruz Collection, Miami, December, 2016 — November 2017 (group)

NGV Triennial, National Gallery of Victoria, Melbourne, Australia, December 15, 2017 — April 15, 2018 (group) 


Unpacking: The Marciano Collection, Curated by Philipp Kaiser, Marciano Art Foundation, Los Angeles, May 25 — December 24, 2017 (group)

Lectures
The Museum of Contemporary Art (MOCA) Grand Avenue, Los Angeles

California State University Long Beach, Long Beach, September 26, 2017

Art + Practice, Los Angeles, October 5, 2017

TOMAS SARACENO
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Many suns and worlds, Vanhaerents art collection, Brussels, April 21, 2016 — October 28, 2017 (solo)

Our Interplanetary Bodies, ACC - Asia Culture Center, Gwangju, South Korea, July 15, 2017 — March 25, 2018 (solo) 

Tomás Saraceno: Entangled Orbits, Baltimore Museum of Art, Baltimore, October 1, 2017 — June 10, 2018 (solo)

Tomás Saraceno, Museum of Art, Architecture and Technology, Lisbon, Portugal, opening March 24, 2018 (solo)

Tomás Saraceno, Paiais de Tokyo, Paris, opening October 15, 2018 (solo)

Museum of Art, Architecture and Technology, Lisboa, Portugal, April 2018 (solo)

Museum für Bildende Künste, Leipzig, Germany, April — August, 2018 (solo) 

Tomás Saraceno, Palais de Tokyo, Paris, Fall 2018 (solo)

Between Spaces, Center for Art and Public Space Schloss Biesdorf, Berlin, April 28 — October 8, 2017 (group)

Floating Worlds, 14th Lyon Biennial, Lyon, France, September 20, 2017 — January 7, 2018 (group) 

Time as Landscape: Inquiries of Art and Science, Cornell Fine Arts Museum, Winter Park, FL, September 28 — December 31, 2017 (group)

Winter, Journey Palace of Versailles, Versailles, October 21, 2017 — January 7, 2018 (group)

Into the Cosmos, MAXXI Museum, curated by Hou Hanru, Rome, opening December 2, 2017 (group)


Projects 
In Orbit, K21 Ständehaus, Düsseldorf, Germany, March 25, 2017 (installation)

Solar Bell Ensemble, Contemporary Arts Center, Cincinnati (installation)

Alfond Inn, Winter Park, FL, September 28, 2017 (site-specific permanent installation)

Centre de Cultura Contemporània de Barcelona, Barcelona, October 2017 (Aerocene project)

Gravitational Waves, Z33, Hasselt, Belgium, November 12, 2017 (outdoor installation)

MAXXI Museum, Rome, November 30, 2017 (Aerocene project)

Stillness in Motion 3 Airborne Self-Assemblies, Mapletree, Singapore, November 2017 (site-specific permanent installation)

Clouds Cities: HAT-P-12, Taipei, December 2017 (site-specific permanent installation)


Artist Talks
Tomás Saraceno in conversation with Yasmil Raymond, Chicago Cultural Centre, Chicago, October 5, 2017

Tomás Saraceno, Columbia University, New York, October 10, 2017 

THOMAS SCHEIBITZ
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SCHAULAGER 9.44, Bureau Muller, Berlin, September 14, 2016 — October 7, 2017 (solo)

Thomas Scheibitz, Kunstmuseum Bonn, Germany, February 1 — April 29, 2018 (solo)


Thomas Scheibitz, Wilhelm-Hack-Museum, Ludwigshafen, Germany, May 19 — August 12, 2018 (solo)


Abstract Painting Now!, Kunsthalle Krems, Austria, July 2 — November 5, 2017 (group)


Mental Yellow. The Sun in the Zenith, KiCo - Collection, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich, May 6 — October 18, 2017 (group)

 

Project
Christian Morgenstern, Remixes Collectors Box by Thomas Scheibitz, available at Image Movement, Berlin

SLAVS AND TATARS
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Mouth to Mouth, Contemporary Art Centre, Vilnius, Lithuania, September 8 — October 18, 2017 (solo)

Mouth to Mouth, Museum of Contemporary Art, Belgrade, Serbia, forthcoming 2018 (solo)

Birth as Criterion, The 32nd Biennial of Graphic Arts, Ljubljana, Slovenia, June 16 — October 29, 2017 (group)

New Literacy, The 4th Ural Industrial Biennial, Ekaterinburg, Russia, September 14 — November 12, 2017 (group)

The Vague Space, Weserburg Museum, Bremen, Germany, September 23, 2017 — February 18, 2018 (group) 

Together Apart, Center for Border Studies, Cúcuta, Colombia, October 21 — December 9, 2017 (group)

Imaginary Geography, ACC - Asia Culture Center, Gwangju, South Korea, October 26, 2017 — February 25, 2018 (group) 

Juntos Aparte, Centro de Estudios Fronterizos CEF, Cúcuta, Colombia, forthcoming 2018 (group)

Lecture - Performances
Tranny Tease, LOFFICE, Budapest, October 19, 2017

I Utter Other, Solomon R. Guggenheim Museum, New York, November 1, 2017 

HANNAH STARKEY
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Ethics of Depiction: Still Life, Landscape, Human, Oakland University Art Gallery, Auburn Hills, MI, September 9 — November 19, 2017 (group) 

 

HAIM STEINBACH
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Museum Kurhaus Kleve, Kleve, Germany, September 2018 (solo)

Brand New: Art and Commodity in the 1980s, Hirshhorn Museum, Washington, D.C., February 14 — May 13, 2018 (group)

DIRK STEWEN
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Tanya Bonakdar Gallery, New York, January — February 2018 (solo) 

SARAH SZE
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Der Öffentlichkeit — Von den Freunden Haus der Kuns, Haus der Kunst, Munich, September 15, 2017 — August 12, 2018 (solo)

New Acquisitions, Institute of Contemporary Art Boston, Boston, February 15, 2017 — February 25, 2018 (group)

Glasstress 2017, Palazzo Franchetti, Venice, May 11 — November 26, 2017 (group) 

Time as Landscape: Inquiries of Art and Science, Rollins College, Winter Park, FL, September 1, 2017 — January 13, 2018 (group)

Frieze Sculpture 2017, Frieze Sculpture, Regent Park, London, October 2 — October 8, 2017 (group) 
 

Permanent Installations
New York Metropolitan Transportation Authority’s 2nd avenue subway line, 96th street station, New York, January 2017

Congress Square, Portland (upcoming)

Western Washington University, Bellingham, WA (upcoming)

Publication
Sarah Sze: Timekeeper. Ed. Janna Lund. Text by Erika Balsom, Janna Lund and Sarah Sze. Copenhagen: Copenhagen Contemporary, 2017.

Sarah Sze: Timekeeper. Text by Hal Foster, Hito Steyerl, Katy Siegel, Renata Salecl and Christopher Bedford. New York: Gregory R. Miller & Co (forthcoming November 21, 2017).

Sarah Sze. Exhibition catalogue. Text by Zadie Smith, Okwui Enwenzor; conversation with Julie Meretu. Munich: Haus der Kunst (forthcoming 2018). 

GILLIAN WEARING
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Gillian Wearing -Family Stories, Statens Museum for Kunst, Copenhagen October 12, 2017 — January 7, 2018 (TBC) (solo)

BEHOLD THE MAN, Part II, Kunstmuseum Kloster Unser Lieben Frauen Magdeburg, Magdeburg, Germany, May 21 — November 5, 2017 (group)

We Are Here, Museum of Cotemporary Art Chicago, Chicago, August 19, 2017 — April 1, 2018 (group)

ISelf Collection: The End of Love, Whitechapel Gallery, London, August 30, 2017 — November 26, 2017 (group)

The art of Dissonance, Seoul Museum of Art, Seoul, September 12 — November 12, 2017 (group)

The Laughable Enigma of Ordinary Life,  Arquipelago Centro de artes Contemporaines, Azores, September 15 — December 13, 2017 (group)

From Life, Royal Academy of Arts, London, December 11, 2017 — March 11, 2018 (group)

Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK, July 2 — November 5, 2017 (group)

Project
A Real Danish Family, Copenhagen, unveiling  October 13, 2017 (public commission)

Millicent Fawcett Statue, Parliament Square, London, 2018 (public commission)

NICOLE WERMERS
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Women between buildings, Kunstverein Hamburg, Hamburg, Germany, March 2 — May 20, 2018 (solo)

in awe, curated by Melanie Ohnemus, Kunsthalle Exnergasse, Vienna, September 14 — October 25, 2017 (group) 

An Idea of Boundary, San Francisco Arts Commission Gallery, San Francisco, September 22 — January 20, 2018 (group)

Wie werden wir uns wieder erkennen?, Künstlerhaus Bremen, Bremen, Germany, November 17, 2017 — January 28, 2018 (group) 

Tainted Love (Where Did Our Love go), Le Confort Moderne, Poitiers, France, December 16, 2017 — April 3, 2018 (group)

Die Zelle, Kunsthalle Bern, Bern, Switzerland, February 24 — May 20, 2018 (group)

Project
Manners, Tate Britain, London, until 2018 (special commission)