In conjunction with her current exhibition Everything That’s Alive Moves, artist Karyn Olivier joined ICA Daniel and Brett Sundheim Chief Curator Anthony Elms in a live conversation and Q & A session.
ASL interpretation was provided for this program.
Anthony Elms has organized the exhibitions Cauleen Smith: Give It or Leave It (2018), Endless Shout (2016-7), Rodney McMillian: The Black Show (2016), Christopher Knowles: In a Word with writer Hilton Als (2015), White Petals Surround Your Yellow Heart (2013), and coordinated several other exhibitions and projects. He is also a writer and editor of the publishing imprint White Walls Inc. Elms’s writings have appeared in various periodicals, including Afterall, Art Asia Pacific, ART PAPERS, Cakewalk, May Revue, Modern Painters, and New Art Examiner. Elms has written essays for catalogues and edited collections such as Cosey Complex (Koenig Books), Geof Oppenheimer: Big Boss and the Ecstasy of Pleasures (Mary and Leigh Block Museum of Art), Terry Adkins: Recital (Prestel) and Among Others: Blackness at MoMA (Museum of Modern Art). He has independently curated many exhibitions, including: Interstellar Low Ways (with Huey Copeland); A Unicorn Basking in the Light of Three Glowing Suns (with Philip von Zweck); and Sun Ra, El Saturn & Chicago’s Afro-Futurist Underground, 1954-68 (with John Corbett and Terri Kapsalis). He was one of three curators of the 2014 Whitney Biennial.