Math Bass’s dynamic practice includes sculpture, painting, architectural interventions and site-specific murals, often setting the stage for performance (potential or executed), and exploring the movement of bodies through space. Central to their work across all mediums is the concept of fluidity in meaning, and how repetition, context, and scale inherently contribute layers of complexity in representation and content. Over the past decade, Bass has developed a lexicon of symbols—letters, bodily forms, architectural fragments, animals, bones, flowers—arranged in a variety of compositions, each symbol an empty space of meaning, informed only by the context in which it finds itself. For various public projects and site-specific installations, Bass has engaged with site and scale to playfully subvert context and hierarchy.