Throughout the past three decades, Carla Klein’s work has explored the relationship between photography and painting as well as the layers of mediation involved in both creating and interpreting images. Using her own photography as a point of departure, Klein’s paintings push the original image towards abstraction in ways that reveal inherent flaws in processes of representation. Many works illustrate artifacts of the imaging process – white borders on the canvas suggest cropping, drips of paint reference scratches on the surface of the negative – which the artist describes as the “abstract consequence” of the photo. Enlarged from negative to snapshot, and from snapshot to canvas, her sublime landscapes become real objects, far enough removed from their subjects that they take on new and different meanings.