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Amalia Pica: Round table (and other forms) | Zurich Art Prize 2020 : Museum Haus Konstruktiv, Zurich, Switzerland

展览历史 exhibition
2020年10月29日 - 2021年1月17日
  • 展览现场
  • 新闻稿
展览现场
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
Open a larger version of the following image in a popup:
Open a larger version of the following image in a popup: Installation view of Amalia Pica: Round table (and other forms).
新闻稿

Amalia Pica’s installations, sculptures, drawings, films and performances are characterized by a playful minimalist language of forms and multilayered content. The themes that Pica often incorporates into her artwork include verbal and nonverbal communication, as well as civic participation. How does communication work on the basis of language, symbols, objects and gestures? How do these relate to political and societal structures? And how can such structures be made visible, or even changed, by artistic interventions in communication media?

 

At Museum Haus Konstruktiv, under the title Round table (and other forms), Amalia Pica presented a newly produced work, along with an earlier one. They beared witness to this interest in the relationship between communication and artistic practice as civil participation. In both works, the artist purposefully exploreed the role of joy and pleasure in coping with the pressure that builds up as a result of bureaucratic structures or monotonous office work, for example. Thus, on the first two floors of the museum, an inspiring show had been developed, which wittily reflected on the form and function of office paraphernalia (conference tables, A4 paper sheets, plastic wallets and office stamps) as well as on their organizational power with regard to our social fabric. To no small extent, Pica’s (thought) experiment resonated in the time of COVID-19, which has also profoundly changed our everyday office life.

相关艺术家

  • Image of Amalia Pica's Aula grande (outlined).

    Amalia Pica

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