Artworks

  • Map II (New Map)
    Map II (New Map)
  • Schulfenster/School Window
    Schulfenster/School Window
  • Second Means of Egress (Orange)
    Second Means of Egress (Orange)
  • Self Portrait at Three Years Old
    Self Portrait at Three Years Old
  • The Art of Losing
    The Art of Losing
  • The Scattered Tamarack
    The Scattered Tamarack
  • The uncertain museum
    The uncertain museum
  • they shoot horses
    they shoot horses
  • Under the sun and the stars
    Under the sun and the stars
  • Winterwork
    Winterwork
  • Your activity horizon
    Your activity horizon
  • Ze Carioca/ Joe Carioca and friends (The Abduction of the Maiden)
    Ze Carioca/ Joe Carioca and friends (The Abduction of the Maiden)
  • Room with Chairs and Factory
    Room with Chairs and Factory
  • Blaue Treppe / Blue Stairs
    Blaue Treppe / Blue Stairs
  • Day
    Day
  • I Wish Your Wish
    I Wish Your Wish
  • Ichthyosaurus
    Ichthyosaurus
  • Model room
    Model room
  • Night
    Night
  • Nr. 1 (Pfaff)
    Nr. 1 (Pfaff)
  • Self Portrait as My Father Brian Wearing
    Self Portrait as My Father Brian Wearing
  • Self Portrait as My Mother Jean Gregory
    Self Portrait as My Mother Jean Gregory
  • Image of Stairway to hell
    Stairway to hell
  • The Triple Point of Water, Whitney Museum of American Art
    The Triple Point of Water, Whitney Museum of American Art
  • Untitled
    Untitled
  • clothes on clothes line
    Winter hung to dry
  • Writing Room/Fiction Machine
    Writing Room/Fiction Machine
  • Blame
    Blame
  • Blame
    Blame
  • room for one color
    360 degree room for all colours
  • Image of Architecture is the Ultimate Erotic Act Carry It to Excess
    Architecture is the Ultimate Erotic Act Carry It to Excess
  • baghdad screentests
    baghdad screentests
  • Entrance
    Entrance
  • Everything in its Right Place
    Everything in its Right Place
  • Installation view Tanya Bonakdar Gallery
    Installation view Tanya Bonakdar Gallery
  • Installation view, Our Love is Like the Flowers, the Rain, the Sea and the Hours, Tramway, Glasgow
    Installation view, Our Love is Like the Flowers, the Rain, the Sea and the Hours, Tramway, Glasgow
  • Installation view, Our Love is Like the Flowers, the Rain, the Sea and the Hours, Tramway, Glasgow
    Installation view, Our Love is Like the Flowers, the Rain, the Sea and the Hours, Tramway, Glasgow
  • Kitchen (Reduced to 88%)
    Kitchen (Reduced to 88%)
  • O.T. (Nr. 342)
    O.T. (Nr. 342)
  • Rains Rain
    Rains Rain
  • real society #18
    real society #18
  • Remagine
    Remagine
  • Costumes
    Costumes
  • Image of A Beggar Woman - Lagos
    A Beggar Woman - Lagos
  • Image of A Homeless Woman - Cairo
    A Homeless Woman - Cairo
  • Ball
    Ball
  • britney #5
    britney #5
  • Detached Building
    Detached Building
  • Image of Olafur Eliasson's Double spiral
    Double Spiral
  • Eight
    Eight
  • Hidden Relief
    Hidden Relief
  • Untitled
    Untitled
  • Untitled
    Untitled
  • Untitled
    Untitled
  • The road
    The road
  • The road [detail]
    The road [detail]
  • Arsenal, woman with tangled film
    Arsenal, woman with tangled film
  • Display #55 - North East South West
    Display #55 - North East South West
  • Filmstills
    Filmstills
  • Postcard 2
    Postcard 2
  • The Museum of Poison (Biocide Hall)
    The Museum of Poison (Biocide Hall)
  • The Museum of Poison (Biocide Hall) [detail]
    The Museum of Poison (Biocide Hall) [detail]
  • Trauma
    Trauma
  • … and of time. (00.2)
    … and of time. (00.2)
  • … and of time. (00.4)
    … and of time. (00.4)
  • The glacier melt series
    The glacier melt series
  • Bureau of Remote Wildlife Surveillance
    Bureau of Remote Wildlife Surveillance
  • Image of A Needle Woman.
    A Needle Woman
  • Landfill
    Landfill
  • Image of A Needle Woman - Kitakyushu
    A Needle Woman - Kitakyushu,
  • Capricious Invention of Prisons
    Capricious Invention of Prisons
  • Commonplace
    Commonplace
  • Everything That Rises Must Converge
    Everything That Rises Must Converge
  • how to make a refugee
    how to make a refugee
  • Image of I Believe in the Skin of Things as in that of Women
    I Believe in the Skin of Things as in that of Women
  • Installation view Trace, First Liverpool Biennial, Tate Gallery, Liverpool
    Installation view Trace, First Liverpool Biennial, Tate Gallery, Liverpool
  • nowhere near (Untitled 99.14)
    nowhere near (Untitled 99.14)
  • nowhere near (Untitled 99.8)
    nowhere near (Untitled 99.8)
  • Seamless
    Seamless
  • Table
    Table
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