-
Ichthyosaurus -
Model room -
Night -
Nr. 1 (Pfaff) -
Self Portrait as My Father Brian Wearing -
Self Portrait as My Mother Jean Gregory -
Stairway to hell -
The Triple Point of Water, Whitney Museum of American Art -
Untitled -
Winter hung to dry -
Writing Room/Fiction Machine -
Blame -
Blame -
360 degree room for all colours -
Architecture is the Ultimate Erotic Act Carry It to Excess -
baghdad screentests -
Entrance -
Everything in its Right Place -
First Meeting -
Installation view Tanya Bonakdar Gallery -
Installation view, Our Love is Like the Flowers, the Rain, the Sea and the Hours, Tramway, Glasgow -
Installation view, Our Love is Like the Flowers, the Rain, the Sea and the Hours, Tramway, Glasgow -
Kitchen (Reduced to 88%) -
O.T. (Nr. 342) -
Rains Rain -
real society #18 -
Remagine -
Costumes -
A Beggar Woman - Lagos -
A Homeless Woman - Cairo -
Ball -
britney #5 -
Detached Building -
Double Spiral -
Eight -
Hidden Relief -
Untitled -
Untitled -
Untitled -
The road -
The road [detail] -
Arsenal, woman with tangled film -
Display #55 - North East South West -
Filmstills -
Postcard 2 -
The Museum of Poison (Biocide Hall) -
The Museum of Poison (Biocide Hall) [detail] -
Trauma -
… and of time. (00.2) -
… and of time. (00.4) -
The glacier melt series -
Bureau of Remote Wildlife Surveillance -
A Needle Woman -
Landfill -
A Needle Woman - Kitakyushu, -
Capricious Invention of Prisons -
Commonplace -
Everything That Rises Must Converge -
how to make a refugee -
I Believe in the Skin of Things as in that of Women -
Installation view Trace, First Liverpool Biennial, Tate Gallery, Liverpool -
nowhere near (Untitled 99.14) -
nowhere near (Untitled 99.8) -
Seamless -
Table -
The lighthouse series -
Untitled -
Untitled -
The Landscape Puller (M=f/ W=f) -
The Landscape Puller (M=f/ W=f) -
Finished Sentence -
Extinction Cords -
Destroy she said -
Destroy she said -
Second Means of Egress -
Shrunken Heads -
Stripping -
Untitled (98.2) -
Untitled (98.3) -
Untitled (St. James)
Page
19
of 20